Title from publisher's bibliographic system (viewed on 05 Oct 2015)
CONTENTS NOTE
Text of Note
Porlogue: Fiction as fiction -- The culture of Gothic -- The romance of subjection : Scott's Waverley -- The suspension of belief: The end of the astrologer : Guy Mannering ; Against nature : The bride of Lammermoor ; Estate of grace : The heart of Mid-Lothian -- Scott and Dickens : the work of the author -- Scott and Dickens : the end of history.
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SUMMARY OR ABSTRACT
Text of Note
Modern Romance examines the relationship between the revival of romance form and the ascendancy of the novel in British literary culture, from 1760 to 1850. The revival of romance as the literary embodiment of a national cultural identity provided a metaphor for the 'authenticity' of the novel itself, set against the changing formations of modern life. The material conditions, cultural status and formal repertoire of prose fiction were given a canonical transformation, leading to the form's nineteenth-century heyday, in Scott's Waverley novels. Ian Duncan's illuminating and innovative study begins with the first identification of modern prose fiction with romance form in the late eighteenth-century Gothic novel, and moves through Scott's highly influential dialectical blend of romance and history, to his relations with his successor in the role of national author, Charles Dickens.
PARALLEL TITLE PROPER
Parallel Title
Modern Romance & Transformations of the Novel.
PERSONAL NAME USED AS SUBJECT
Dickens, Charles,1812-1870-- Criticism and interpretation.
Scott, Walter,1771-1832-- Fictional works.
TOPICAL NAME USED AS SUBJECT
English fiction-- 18th century-- History and criticism.
English fiction-- 19th century-- History and criticism.