Preface; Acknowledgments; Contents; Chapter 1: The Forms of€the€British Official/Sponsored Documentary Film; The Griersonian Form; The Griersonian Form, the€Post-war Expository Form and€the€Absence of€'Zeal'; The 'Colonial Form' of€the€British Official Documentary Film38; The 'Late-Colonial Form' of€the€British Sponsored Official Documentary Film; Late-Colonial Films of€the€MFU; The Knife (MFU, 1952); A New Life: Squatter Resettlement (1951); Alien Orders (COI, 1951); 1955: The€Year in€Malaya (MFU, 1955); The 'Post-colonial' Form of€the€British Official Documentary Film77; Conclusions; Notes
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Chapter 2: Diverging Jurisdictions: The€Influence of€'Griersonian' and€'Civil Service' Traditions of€Official Film-making on€the€Malayan Film Unit (1946-57) and€Hong Kong Film Unit (1959-73)Malaya, the€Griersonian Connection, and€the€Malayan Film Unit (1946-52); Voices of€Malaya (1948); Hong Kong Film Unit (1959-73); Conclusions; Notes; Chapter 3: Delusions of€Regional Superintendence at€the€End of€Empire and€the€Case of€the€Singapore Regional Information Office, 1947-61; The Hawes Reports; The Fall of€the€RIO, 1951-61; The Beauclerk Report; Conclusions; Notes
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Chapter 4: The Use of€the€Official Film in€Malaya/Malaysia, Singapore and€Hong Kong, 1957-1973, and€the€Role of€the€United Kingdom Information Services, British Information Services, British Council and€Hong Kong Government Information Services (with Ka YThe Official Film in€Hong Kong: BIS, the€British Council and€Hong Kong Government Information Services; The Films of€the€COI and€Their Use by€GIS and€the€British Council in€Hong Kong; Notes; Chapter 5: Berita Singapura (1963-9) and€Hong Kong Today (1967-73); Introduction; Part One: Berita Singapura; The People's Action Party; PAP Key Policies
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Genesis of€Berita SingapuraA Celebration of€New Housing (1965), A New Look at Housing (1967); Sang Nila Utama Secondary School (1968) and€Ngee Ann College (1964); Maintaining Cleanliness (1965); Conclusions; Part Two: Hong Kong Today20; Hong Kong Today, Episode 1: 'The Life of€a€Star', 'Plover Cove Reservoir', 'Cheung Chau Show' (1967); Hong Kong Today, Episode 9: The€Year of€the€Ram; Conclusions; Notes; Chapter 6: The Rise of€Television, Persistence of€Authoritarianism, and€Decline of€the€Official Film in€Singapore, Malaya/Malaysia and€Hong Kong, 1955-75; Britain, Television and€the€Colonies
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SingaporeMalaya/Malaysia; Hong Kong; Conclusions; Notes; Bibliography; Index
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SUMMARY OR ABSTRACT
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This book explores the ways in which the British official film was used in Malaya/Malaysia, Singapore and Hong Kong from 1945 to the 1970s. Aitken uncovers how the British official film, and British official information agencies, adapted to the epochal contexts of the Cold War and end of empire. In addition to an extensive introduction, which touches on a number of critical issues related to the post-war British official film, the book provides an account of how the tradition of film-making associated with the British documentary film movement spread into the region during the post-war period, and how that tradition was contested by a 'Colonial Office' tradition of film-making. The volume concludes by covering the rise of television in the region within the context of developing post-colonial authoritarian states in Singapore and Malaysia, and the continuation of colonial authoritarianism in Hong Kong
OTHER EDITION IN ANOTHER MEDIUM
International Standard Book Number
9781137493439
TOPICAL NAME USED AS SUBJECT
Documentary films-- Southeast Asia-- History and criticism.