privacy and its dilemmas in nineteenth-century Britain /
First Statement of Responsibility
David Vincent
EDITION STATEMENT
Edition Statement
First edition
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xii, 354 pages :
Other Physical Details
black & white illustrations;
Dimensions
24 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 315-347) and index
CONTENTS NOTE
Text of Note
Introduction -- Enter Pry -- The general truth of the delineation -- The performance of Paul Pry -- The moderate C. -- The Paul Pry industry -- The dynamics of the market -- The dilemmas of privacy -- The spirit of inquiry -- Intrusion -- Virtual privacy -- Conclusion -- Comedy and error
0
SUMMARY OR ABSTRACT
Text of Note
"'I Hope I Don't Intrude' takes its title from the catch-phrase of the eponymous hero of the 1825 play Paul Pry, which was an immense success on the London stage and then rapidly in New York and around the English-speaking world. It tackles the complex, multi-faceted subject of privacy in nineteenth-century Britain by examining the way in which the tropes, language, and imagery of the play entered public discourse about privacy in the rest of the century. The volume is not just an account of a play, or of late Georgian and Victorian theatre. Rather it is a history of privacy, showing how the play resonated through Victorian society and revealed its concerns over personal and state secrecy, celebrity, gossip and scandal, postal espionage, virtual privacy, the idea of intimacy, and the evolution of public and private spheres." -- Publisher's website
PERSONAL NAME USED AS SUBJECT
Poole, John,1786?-1872., Paul Pry
TOPICAL NAME USED AS SUBJECT
English drama-- 19th century-- History and criticism