the Broadway musical from Show boat to Sondheim and Lloyd Webber /
First Statement of Responsibility
Geoffrey Block
EDITION STATEMENT
Edition Statement
2nd ed
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Oxford University Press,
Date of Publication, Distribution, etc.
2009
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xxxiii, 446 p. :
Other Physical Details
ill., music ;
Dimensions
24 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index
CONTENTS NOTE
Text of Note
Introduction : setting the stage -- Act I : Before Rodgers and Hammerstein. Show boat : in the beginning ; Anything goes : songs ten, book three ; Porgy and Bess : Broadway opera ; On your toes and Pal Joey : dance gets into the act and "sweet water from a foul well" ; The cradle will rock : a labor musical for art's sake ; Lady in the dark and One touch of Venus : the Broadway stranger and his American dreams ; Stage versus screen (1) : before Rodgers and Hammerstein -- Act II : the Broadway musical after Oklahoma!. Carousel: the invasion of the integrated musical ; Kiss me, Kate : the taming of Cole Porter ; Guys and dolls and The most happy fella : the greater Loesser ; My fair lady : from Pygmalion to Cinderella ; West side story : the very model of a major musical ; Stage versus screen (2) : after Oklahoma! -- Epilogue : the age of Sondheim and Lloyd Webber. Sweeney Todd, the demon barber of Fleet Street and Sunday in the park with George : happily ever after West side story with Sondheim ; The Phantom of the opera : the reigning champion of Broadway
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SUMMARY OR ABSTRACT
Text of Note
This second edition offers theater lovers an illuminating behind-the-scenes tour of some of America's best musicals. Geoffrey Block provides a documentary history of each of the eighteen musicals he discusses. He reveals how the American musical evolved from the 1920s to today, both on stage and on screen, and how librettist, lyricist, composer, and director work together to shape pieces.--[book cover]
TOPICAL NAME USED AS SUBJECT
Musicals-- New York (State)-- New York-- History and criticism