عنوان

Yearning for Mecca:

شماره

TLpq303779560

زبان متن نوشتاري يا گفتاري و مانند آن

انگلیسی

عنوان اصلي

Yearning for Mecca:

نام عام مواد

[Thesis]

نام نخستين پديدآور

C. J. Totten

عنوان اصلي به قلم نويسنده ديگر

Resonance in selected plays of Athol Fugard

نام ساير پديدآوران

T. L. Miller

نام ناشر، پخش کننده و غيره

The University of Nebraska - Lincoln

تاریخ نشرو بخش و غیره

1989

نام خاص و کميت اثر

387

جزئيات پايان نامه و نوع درجه آن

Ph.D.

کسي که مدرک را اعطا کرده

The University of Nebraska - Lincoln

امتياز متن

1989

متن يادداشت

The foremost critical approaches to dramatist Athol Fugard's work indicate a symbiotic dichotomy: that Fugard is a regional writer protesting the South African ethos of apartheid and that Fugard is a universal writer focussed on the wider spectrum of human existence. Some scholars, such as Robert M. Post and Robert Brustein, classify Fugard's plays as condemnations of South Africa's oppressive government, for they address such issues as white employer-black servant conflicts ("Master Harold"... and the boys), the Group Areas Act (Boesman and Lena), the pass laws (Sizwe Bansiis Dead), inequities in public education (The Road to Mecca), political imprisonment (The Island), racial friction (The Blood Knot and My Children, My Africa), the Suppression of Communism Act (A Lesson from Aloes), and miscegenation (Statements After an Arrest Under the Immorality Act). Russell Vandenbroucke and Cedric Callaghan, among others, contend that Fugard depicts Everyman, the solitary human traveling through life grappling with timeless problems that transcend the confines of the Eastern Cape: loneliness, acceptance, love, death, duty, prejudice, survival. The surface level of Fugard's plays plumbs the twisted Orwellian world of apartheid while the more inclusive core extends beyond the backdrop of South Africa, to touch people regardless of race or nation. Fugard does not concentrate on these undercurrents in his plays, insisting instead that he writes specific stories, powerful because they are about people. He maintains that they are appreciated because of their inherent truths about human nature. Preferring to focus on storytelling, Fugard begins with specific details which later resonate beyond the original plotline. In addition to an overview of South African apartheid and a brief biography of the playwright, this dissertation provides a moment-to-moment exploration of resonance in six major plays of Athol Fugard: The Blood Knot, Boesman and Lena, A Lesson from Aloes, "Master Harold" ... and the boys, The Road to Mecca, and his latest published work to date, A Place with the Pigs.

موضوع مستند نشده

African history

موضوع مستند نشده

Communication and the arts

موضوع مستند نشده

Fugard, Athol

موضوع مستند نشده

Social sciences

موضوع مستند نشده

South Africa

موضوع مستند نشده

Theater

مستند نام اشخاص تاييد نشده

C. J. Totten

مستند نام اشخاص تاييد نشده

T. L. Miller

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y