An Analysis of the Improvisational Style of Jazz Organist Jimmy Smith through Selected Right Hand Transcriptions
نام عام مواد
[Thesis]
نام نخستين پديدآور
Sample, T. W.
نام ساير پديدآوران
Briody, Steve
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
Five Towns College
تاریخ نشرو بخش و غیره
2019
مشخصات ظاهری
نام خاص و کميت اثر
182
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
D.M.A.
کسي که مدرک را اعطا کرده
Five Towns College
امتياز متن
2019
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Jimmy Smith popularized the emergence of jazz organ in 1956. Smith and his unique and dynamic playing style brought a relatively obscure instrument to prominence and influenced many genres of music and musicians. Through transcription and analysis, this dissertation identifies reoccurring improvisational devices of the legendary jazz organist. The findings reveal several of Smith's improvisational tendencies and techniques with regard to sequences, chromatic approach tones, signature blues phrases, repetition, chromatic ♭3-5 phrases, multiple descending target tones, as well as others. Additionally, this study presents five original transcriptions from the Blue Note label ("The Champ," "Caravan," "Ready 'N Able," "Sweet Georgia Brown," and "A Night in Tunisia") in which these techniques were observed.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Music theory
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )