a codicological study of Iranian and Turkic illuminated book fragments from 8th-11th century east Central Asia /
نام نخستين پديدآور
by Zsuzanna Gulácsi.
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
Boston :
نام ناشر، پخش کننده و غيره
Brill,
تاریخ نشرو بخش و غیره
2005.
مشخصات ظاهری
نام خاص و کميت اثر
1 online resource (xvi, 240 pages) :
ساير جزييات
illustrations, map.
فروست
عنوان فروست
Nag Hammadi and Manichaean studies,
مشخصه جلد
v. 57
شاپا ي ISSN فروست
0929-2470 ;
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 223-233) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Introduction: A Codicological Approach to a Unique Group of Objects -- I. Identifying the Corpus of Manichaean Book Art -- II. Dating the Remains: Scientific, Textual, and Artistic Evidence Color plates -- III. Codicological Characteristics: Artisanship of Bookmakers and Scribes in Manichaean Turfan -- IV. The Work of the Illuminator: The Four Basic Painting Styles of Turfan Manichaean -- V. Patterns of Page Arrangement: Integration of Text and Image -- VI. The Written and the Painted Message: Contextual Cohesion of Text and Image.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Mediaeval Manichean Book Art focuses on a corpus of c. one hundred fragments of exquisitely illuminated manuscripts that were produced under the patronage of the Turkic-speaking Uygurs in the Turfan region of East Central Asia between the 8th and 11th centuries CE, and used in service of the local Manichaean church. By applying a codicological approach to the analysis of these sources, this study casts light onto a lost episode of Central Asian art history and religious book culture. Each of the five chapters in this book accomplishes a well-defined goal. The first justifies the formation of the corpus. The second examines its dating on the basis of scientific and historical evidence. Chapter three assesses the artistry of their bookmakers, scribes, and illuminators. The fourth documents the patterns of page layout preserved on the fragments. The final chapter analyses the contextual relationship of their painted and written contents. Mediaeval Manichaean Book Art represents a pioneer study in its subject, research methodology, and illustrations. It extracts codicological and art historical data from torn remains of lavishly decorated Middle-Persian, Sogdian, and Uygur language manuscripts in codex, scroll, and "palm-leaf" formats. Through detailed analyses and carefully argued interpretations aided by precise computer drawings, the author introduces an important group of primary sources for future comparative research in Central Asian art, mediaeval book illumination, and Manichaean studies.
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Mediaeval Manichaean book art.
عنوان
Mediaeval Manichaean book art.
قطعه
عنوان
EBL
عنوان اصلی به زبان دیگر
عنوان اصلي به زبان ديگر
Medieval Manichaean book art
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Illumination of books and manuscripts, Medieval-- Asia, Central.
موضوع مستند نشده
Manichaean illumination of books and manuscripts-- Asia, Central.
موضوع مستند نشده
Enluminure manichéenne-- Asie centrale.
موضوع مستند نشده
Enluminure médiévale-- Asie centrale.
موضوع مستند نشده
ART-- Techniques-- Calligraphy.
موضوع مستند نشده
Buchkunst
موضوع مستند نشده
Buchmalerei
موضوع مستند نشده
Illumination of books and manuscripts, Medieval.
موضوع مستند نشده
Illustraties.
موضوع مستند نشده
Manichaean illumination of books and manuscripts.
موضوع مستند نشده
Manichäismus
موضوع مستند نشده
Manicheïsme.
نام جغرافیایی به منزله موضوع
موضوع مستند نشده
Central Asia.
بدون عنوان
7
مقوله موضوعی
موضوع مستند نشده
ART-- 003000
رده بندی ديویی
شماره
745
.
6/7/0958
ويراست
22
رده بندی کنگره
شماره رده
ND2932
نشانه اثر
.
G85
2005eb
سایر رده بندی ها
شماره رده
06
.
12
کد سيستم
bcl
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )