یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 159-169) and index.
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Is music property? Under what circumstances can music be stolen? Such questions lie at the heart of Joanna Demers's timely look at how overzealous intellectual property (IP) litigation both stifles and stimulates musical creativity. A musicologist, industry consultant, and musician, Demers dissects works that have brought IP issues into the mainstream culture, such as DJ Danger Mouse's "Grey Album" and Mike Batt's homage-gone-wrong to John Cage's silent composition "4'33" Demers also discusses such artists as Ice Cube, DJ Spooky, and John Oswald, whose creativity is sparked by their defiant circumvention of licensing and copyright issues. Demers is concerned about the fate of transformative appropriation - the creative process by which artists and composers borrow from, and respond to, other musical works. In the United States, only two elements of music are eligible for copyright protection: the master recording and the composition (lyrics and melody) itself. Harmony, rhythm, timbre, and other qualities that make a piece distinctive are virtually unregulated. This two-tiered system had long facilitated transformative appropriation while prohibiting blatant forms of theft. The advent of digital file sharing and the specter of global piracy changed everything, says Demers. Now, record labels and publishers are broadening the scope of IP "infringement" to include allusive borrowing in all forms: sampling, celebrity impersonation - even Girl Scout campfire sing-alongs. Paying exorbitant licensing fees or risking even harsher penalties for unauthorized borrowing have become the only options for some musicians. Others, however, creatively sidestep not only the law but also the very infrastructure of the music industry. Moving easily between techno and classical, between corporate boardrooms and basement recording studios, Demers gives us new ways to look at the tension between IP law, musical meaning and appropriation, and artistic freedom.
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
JSTOR
شماره انبار
22573/ctt3q54bm
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Steal this music.
شماره استاندارد بين المللي کتاب و موسيقي
9780820327105
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Composition (Music)
موضوع مستند نشده
Copyright-- Music-- United States.
موضوع مستند نشده
Intellectual property-- United States.
موضوع مستند نشده
Composition (Musique)
موضوع مستند نشده
Droit d'auteur, Musique-- États-Unis.
موضوع مستند نشده
Propriété intellectuelle-- États-Unis.
موضوع مستند نشده
Composition (Music)
موضوع مستند نشده
Copyright-- Music.
موضوع مستند نشده
General.
موضوع مستند نشده
Intellectual property.
موضوع مستند نشده
LAW-- Administrative Law & Regulatory Practice.
موضوع مستند نشده
LAW.
موضوع مستند نشده
SOCIAL SCIENCE-- Popular Culture.
نام جغرافیایی به منزله موضوع
موضوع مستند نشده
United States.
بدون عنوان
7
مقوله موضوعی
موضوع مستند نشده
LAW-- 001000
موضوع مستند نشده
LAW050000
موضوع مستند نشده
MUS020000
موضوع مستند نشده
SOC022000
رده بندی ديویی
شماره
346
.
7304/82
ويراست
22
رده بندی کنگره
شماره رده
KF3035
نشانه اثر
.
D46
2006eb
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )