یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 163-167) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
From Samuel Johnson, The rambler (1750) -- From Samuel Richardson, Sir Charles Grandison (1753-54) -- From Jean-Jacques Rousseau, Émile (1762) -- From Joseph Highmore, Essays, moral, religious, and miscellaneous (1766) -- From James Fordyce, Sermons to young women (1766) -- From John Gregory, a father's legacy to his daughters (1774) -- From Adam Smith, the wealth of nations (1776) -- From Fanny Burney, Cecilia; or, Memoirs of an heiress (1782) -- From Mary Wollstonecraft, Thoughts on the education of daughters (1787) -- From Edmund Burke, Reflections on the Revolution in France (1790) -- From Edmund Burke, An appeal from the new to the old Whigs (1791) -- From Mary Wollstonecraft, A vindication of the rights of woman (1792) -- From William Godwin, Things as they are; or, The adventures of caleb -- Williams (1794) -- From Jane Austen, Jane Austen's letters (1796) -- From Amelia Opie, Temper, or Domestic scenes (1812) -- From Jane Austen, Jane Austen's letters (1813-16) -- Biographical directory -- Interpretations -- Critical history -- Early critical reception -- From British critic (1813) -- From critical review (1813) -- From Annabella Milbanke, Letter to Lady Milbanke (1813) -- From Jane Davy, Letter to Sarah Ponsonby (1813) -- From Henry Crabb Robinson, Diary entries (1819) -- Novelists on Pride and prejudice -- From Mary Russel Mitford, Letter to Sir William Elford (1814) -- From Mary Russell Mitford, Letter to Sir William Elford (1815) -- From Walter Scott, The journal of Walter Scott (1826) -- From Harriet Martineau, Society in America (1837) -- From Charlotte Brontë, Letter to George Henry Lewes (1848) -- From George Henry Lewes, 'A Word about Tom Jones' (1860) -- From Margaret Oliphant, 'Miss Austen and Miss Mitford' (1870) -- From Mark Twain, Letter to Rev. J.H. Twichell (1898) -- From William Dean Howells, Heroines of fiction (1901) -- From G.K. Chesterton, The Victorian age in literature (1913).
متن يادداشت
From Virginia Woolf, A room of one's own (1929) -- From W. Somerset Maugham, 'Pride and prejudice' (1948) -- From V.S. Pritchett, George Meredith and English comedy (1970) -- From David Lodge, Small world (1984) -- From Martin Amis, 'Miss Jane's prime' (1990) -- Modern criticism -- From D.W. Harding, 'Regulated hatred: an aspect of the work of Jane Austen' -- (1940) -- From David Daiches, 'Jane Austen, Karl Marx, and the aristocratic dance' -- (1947-48) -- From Marvin Mudrick, 'Irony as discrimination: Pride and prejudice' (1952) -- From Dorothy Van Ghent, 'On Pride and prejudice' (1953) -- From Mark Schorer, 'Pride unprejudiced' (1956) -- From Howard S. Babb, 'Pride and prejudice: vitality and a dramatic mode' -- (1962) -- From Alistair M. Duckworth, 'Pride and prejudice: the reconstitution of society' (1971) -- From Nina Auerbach, 'Pride and prejudice' (1978) -- From Judith Lowder Newton, 'Pride and prejudice' (1981) -- From Mary Poovey, 'Ideological contradictions and the consolation of form' -- (1984) -- From Claudia L. Johnson, 'Pride and prejudice and the pursuit of happiness' -- (1988) -- From Alison G. Sulloway, 'Voices and silences: the province of the drawing room and the war of debates' (1989) -- From Robert M. Polhemus, 'The fortunate fall: Jane Austen's Pride and prejudice' (1990) -- From Allan Bloom, 'Austen, Pride and prejudice' (1993) -- From Susan Fraiman, 'The humiliation of Elizabeth Bennet' (1993) -- From Douglas Murray, 'Gazing and avoiding the gaze' (1996) -- From John Wiltshire, 'Pride and prejudice, love and recognition' (2001) -- From Steven Scott, 'Making room in the middle: Mary in Pride and prejudice' (2002) -- The novel in performance -- Introduction -- From Sue Birtwistle and Susie Conklin, 'A Conversation with Colin Firth' -- (1995) -- From Cheryl Nixon, 'Balancing the courtship hero: masculine emotional display in film adaptations of Austen's novels' (1998) -- From Lisa Hopkins, 'Mr. Darcy's body: privileging the female gaze' (1998).
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متن يادداشت
Robert Morrison sets Jane Austen's Pride and Prejudice within such contexts as female conduct books and political tales of terror, and traces criticism of the novel from the 19th century, including material on the 1995 film adaptation.