عنوان

Bound to appear :

شابک

0226115704

شابک

9780226115702

شابک اشتباه

9780226013121

عنوان اصلي

Bound to appear :

نام عام مواد

[Book]

ساير اطلاعات عنواني

art, slavery, and the site of blackness in multicultural America /

نام نخستين پديدآور

Huey Copeland.

محل نشرو پخش و غیره

Chicago :

نام ناشر، پخش کننده و غيره

University of Chicago Press,

تاریخ نشرو بخش و غیره

[2013]

نام خاص و کميت اثر

xvi, 256 pages :

ساير جزييات

illustrations ;

ابعاد

30 cm

متن يادداشت

Includes bibliographical references (pages 229-248) and index.

متن يادداشت

Introduction. The blackness of things -- Fred Wilson and the rhetoric of redress -- Lorna Simpson's figurative transitions -- Glenn Ligon and the matter of fugitivity -- Renée Green's diasporic imagination -- Epilogue. Alternate routes.

بدون عنوان

0

متن يادداشت

At the close of the twentieth century, black artists began to figure prominently in the mainstream American art world for the first time. Thanks to the social advances of the civil rights movement and the rise of multiculturalism, African American artists in the late 1980s and early '90s enjoyed unprecedented access to established institutions of publicity and display. Yet in this moment of ostensible freedom, black cultural practitioners found themselves turning to the history of slavery. "Bound to Appear" focuses on four of these artists - Renee Green, Glenn Ligon, Lorna Simpson, and Fred Wilson - who have dominated and shaped the field of American art over the past two decades through large-scale installations that radically departed from prior conventions for representing the enslaved. Huey Copeland shows that their projects draw on strategies associated with minimalism, conceptualism, and institutional critique to position the slave as a vexed figure - both subject and object, property and person. They also engage the visual logic of race in modernity and the challenges negotiated by black subjects in the present. As such, Copeland argues, their work reframes strategies of representation and rethinks how blackness might be imagined and felt long after the end of the "peculiar institution." The first book to examine in depth these artists' engagements with slavery, "Bound to Appear" will leave an indelible mark on modern and contemporary art.

منبع سفارش / آدرس اشتراک

Univ of Chicago Pr, Attn: John Kessler C/O Chicago Distribution Center 11030 Langley Ave, Chicago, IL, USA, 60628

موضوع مستند نشده

Green, Renée-- Criticism and interpretation.

موضوع مستند نشده

Ligon, Glenn,1960-Criticism and interpretation.

موضوع مستند نشده

Simpson, Lorna,1960-Criticism and interpretation.

موضوع مستند نشده

Wilson, Fred,1954-Criticism and interpretation.

موضوع مستند نشده

Green, Renée,1959-

موضوع مستند نشده

Ligon, Glenn,1960-

موضوع مستند نشده

Simpson, Lorna,1960-

موضوع مستند نشده

Wilson, Fred,1954-

موضوع مستند نشده

Green, Renée.

موضوع مستند نشده

Ligon, Glenn,1960-

موضوع مستند نشده

Simpson, Lorna,1960-

موضوع مستند نشده

Wilson, Fred,1954-

موضوع مستند نشده

African American artists.

موضوع مستند نشده

Installations (Art)-- United States.

موضوع مستند نشده

Slavery in art.

موضوع مستند نشده

African American artists.

موضوع مستند نشده

Afro-amerikanska konstnärer.

موضوع مستند نشده

Installations (Art)

موضوع مستند نشده

Konstinstallationer.

موضوع مستند نشده

Slaveri i konsten.

موضوع مستند نشده

Slavery in art.

موضوع مستند نشده

United States.

بدون عنوان

7

شماره

ويراست

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Copeland, Huey.

تاريخ عمليات

20200822101830.0

قواعد فهرست نويسي ( بخش توصيفي )

rda

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y