عنوان
پدید آورنده
موضوع
رده
ND623.T7 N53 2013
ND623
.
T7
N53
2013
کتابخانه
محل استقرار
شابک
شابک
1780231865
شابک
9781780231 860
شابک اشتباه
9781780232270
شماره کتابشناسی ملی
شماره
dltt
عنوان و نام پديدآور
عنوان اصلي
Titian and the end of the Venetian Renaissance /
نام عام مواد
[Book]
نام نخستين پديدآور
Tom Nichols
مشخصات ظاهری
نام خاص و کميت اثر
255 pages :
ساير جزييات
illustrations, most of which are in color ;
ابعاد
28 cm
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index
یادداشتهای مربوط به مندرجات
متن يادداشت
Five: Titian and Venice: Surviving the Father of Art: Patrons and Prices - Titian Versus the Rest: A Literary Self-image - Pictor et Eques: Titian's Self-Portraits - Images of Succession - Images of Attachment - The Darker Side of Titian; or, The Anti-Image - Venetian Responses to Titian: Veronese and Tintoretto -- Conclusion: Titian and the End of the Venetian Renaissance - Titian in Disguise
متن يادداشت
Introduction -- Art as appropriation: the rise of Titian -- Remaking tradition: icons and altarpieces -- Portraiture and non-venezianita -- Sacred painting, the Poesie and the Late Style -- Titian and Venice: surviving the father of art -- Conclusion
متن يادداشت
Introduction: Titian's Last Painting: The Sight of Death - An Inglorious Passing; or, The Difficult Case of the Pieta - How 'Venetian' was Titian? - Surrogate Monuments to the Leader of a Tradition -- One: Art as Appropriation: The Rise of Titian - Giovanni Bellini: The Model Venetian - Bellini and Titian: Master and Pupil - Titian and the Venetian Istoria - Titian and Giorgione - Giorgione and Titian's Early Portraiture - The Early Mythologies - Titian Repaints Palma Vecchio --
متن يادداشت
Two: Remaking Tradition: Icons and Altarpieces: Anachronic Titian - The Modern Icon - The Cultural Dynamics of Space in Two Altarpieces for Venice - Private Values in a Public Picture Type - Altarpiece or Artwork? -- Three: Portraiture and Non-Venezianita: Portraiture in Renaissance Venice - Titian's Portraits to 1530: Accommodation of the Courts - Habsburg and Related Portraits of the 1530s - Historical Portraits - Natura Potentior Ars -- Four: Sacred Painting, the Poesie and the Late Style: Titian as Tradition - Titian's Hybrid Poesie - Two Late Mythologies - Early Responses to Titian's Late Style - The Late Style in Critical and Historical Perspective --
بدون عنوان
0
بدون عنوان
0
بدون عنوان
0
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Titian is best known for paintings that embodied the tradition of the Venetian Renaissance-but how Venetian was the artist himself? In this comprehensive new study, Tom Nichols probes the tensions between the individualism of Titian's work and the conservative cultural and political mores of the city, revealing his art to be original inventions that undermine the traditional self-suppressing approach to painting in Venice. Rather, Nichols argues, Titian's works reflected his engagement with the individualistic cultures emerging in the courts of early modern Europe
نام شخص به منزله موضوع
موضوع مستند نشده
Titian,approximately 1488-1576-- Criticism and interpretation
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Art, Italian-- Italy-- Venice-- 16th century
موضوع مستند نشده
Art, Renaissance-- Italy-- Venice
رده بندی کنگره
شماره رده
ND623
.
T7
نشانه اثر
N53
2013
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
Nichols, Tom,1958-
مبدا اصلی
تاريخ عمليات
20140327153950.0
قواعد فهرست نويسي ( بخش توصيفي )
rda
دسترسی و محل الکترونیکی
نام الکترونيکي
مطالعه متن کتاب اطلاعات رکورد کتابشناسی
نوع ماده
[Book]
اطلاعات دسترسی رکورد
تكميل شده
Y
