عنوان

A history of video art /

شابک

0857851772

شابک

0857851780

شابک

9780857851772

شابک

9780857851789

شابک اشتباه

0857851888

شابک اشتباه

0857851896

شابک اشتباه

9780857851888

شابک اشتباه

9780857851895

شماره

dltt

عنوان اصلي

A history of video art /

نام عام مواد

[Book]

نام نخستين پديدآور

Chris Meigh-Andrews

وضعيت ويراست

Second edition

نام خاص و کميت اثر

387 pages :

ساير جزييات

illustrations (some color) ;

ابعاد

25 cm

متن يادداشت

Includes bibliographical references (pages 369-376) and index

متن يادداشت

Preface to the 2nd edition -- Part 1. The Origins of Video Art: The Historical and Cultural Context: 1. In The Beginning: The Origins of Video Art; 2. Crossing Boundaries: International Tendencies and Influences in Early Artists' Video; 3. Technology, Access and Context: Social and Political Activists and Their Role in the Development of Video Art; 4. Expanded Cinema: The Influence of Experimental, Avant-Garde and "Underground" Film to Artists' Video; 5. Musique Concrète, Fluxus and Tape Loops: The Influence and Impact of Sound Recording and Experimental Music on Video Art; 6. Theory and Practice: The Impact of Theoretical Ideas on Early Technology-Based Practice in the 1970s and some Significant and Influential Figures in the Development of Theoretical Discourse and Their Impact on Contemporary Art after Modernism; 7. Beyond the Lens: Abstract Video Imagery and Image Processing -- Part II. A Discussion of Some Representative and Influential Video Art Works Set in Relation to Their Technological and Critical Context: 8. In and Out of the Studio: The Advent of Inexpensive Non-Broadcast Video; 9. Cutting It: Accessible Video Editing; 10. Mixing it: Electronic/Digital Image Manipulation; 11. The Gallery Opens its Doors: Video Installation and Projection; 12. The Ubiquity of the Video Image: Artists' Video as an International Phenomenon -- Part III. The Development of Artists' Video and Video Installation in Response to Technological Change and Accessibility: 13. Fields, Lines and Frames: Video as an Electronic Medium; 14. The Means of Production: Feminism and 'Otherness': Race, Gender, Technology and Access; 15. Off the Wall: Video Sculpture and Installation; 16. Going Digital: The Emergence of Digital Video Editing, Processing and Effects; 17.Video Art in the New Millennium: New Developments in Artists' Video since 2000 -- Part IV. References

بدون عنوان

0

متن يادداشت

"A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists' video from the mid 1990s up to the present day. In addition, the new edition expands and updates the discussion of theoretical concepts and ideas which underpin contemporary artists' video. Tracking the changing forms of video art in relation to the revolution in electronic and digital imaging that has taken place during the last 50 years, A History of Video Art orients video art in the wider art historical context, with particular reference to the shift from the structuralism of the late 1960s and early 1970s to the post-modernist concerns of the 1980s and early 1990s. The new edition also explores the implications of the internationalisation of artists' video in the period leading up to the new millennium and its concerns and preoccupations including post-colonialism, the post-medium condition and the impact and influence of the internet"--

موضوع مستند نشده

Video art-- History

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Meigh-Andrews, Chris

تاريخ عمليات

20140822112744.0

قواعد فهرست نويسي ( بخش توصيفي )

rda

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y