Edgard Varèse and the sound of the city -- Paul Strand and the sight of the city -- John Dos Passos and the physiology of the city -- William Carlos Williams and the suburban doctor's eye -- Charles Sheeler and the cubism of country life -- The pull of Chicago -- The bleaching of the blues -- Fighting free of the first modernists -- Alfred Stieglitz/Georgia O'Keeffe -- Gertrude Stein/Sherwood Anderson/Ernest Hemingway -- Igor Stravinsky/George Antheil -- Jean Toomer's quest for cosmic consciousness -- Wallace Stevens and the satisfactions of belief -- Arthur G. Dove and the Stieglitz circle's equivalents -- Claude Bragdon's other lives -- Margaret Anderson's search for ecstasy.
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In this book Robert Crunden puts the "jazz" back in Jazz Age. Jazz was America's greatest contribution to the Modernist movement, yet it is much overlooked. When we hear the term "Jazz Age, " we conjure the ghosts of Fitzgerald, Hemingway, and Eliot, not of Jelly Roll Morton, Louis Armstrong, Ethel Waters, George Gershwin, and Duke Ellington. To correct this imbalance, Crunden re-introduces us to these musical luminaries who gave the era its name, while tracing the early history of jazz from New Orleans to Chicago to New York.
While Crunden emphasizes music over literature and the visual arts, he never fails to trace the complex cross-currents of literature that passed between jazz musicians and their "Lost Generation" peers, a veritable pageant of the glittering personalities of the day -- James Joyce, Alfred Stieglitz, Georgia O'Keeffe, Paul Strand, John Dos Passos, Langston Hughes, Gertrude Stein.