Includes bibliographical references (pages 231-238) and index.
Introduction: Camus and Sartre. -- "True to his feelings": phenomenology and reflection in Camus' L'Étranger. -- Camus' Myth of Sisyphus and the meaning of life. -- Meditations on Nausea: Sartre's phenomenological ontology. -- Sartre on emotions: a reading of his "Sketch" of 1939. -- Facing death together: Camus' The plague. -- True to oneself: Sartre's bad faith and freedom. -- No way out there: Sartre's No exit and "being-for-others" -- Pathologies of pride: Camus' The fall. -- Conclusion: Thinking it through -- experience and reflection.
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"Robert Solomon makes the case that - despite their very different responses to the political questions of their day - Camus and Sartre were both fundamentally moralists, and their philosophies cannot be understood apart from their deep ethical commitments. He focuses on Sartre's early, pre-1950 work and on Camus' best-known novels The Stranger, The Plague, and The Fall. Throughout, Solomon makes the point that their shared interest in phenomenology was much more important than their supposed affiliation with "existentialism." Solomon's reappraisal will be of interest to anyone who is or ever has been fascinated by these eccentric but monumental figures."--Jacket.
Dark feelings, grim thoughts.
Dark feelings, grim thoughts.
Camus, Albert,1913-1960-- Criticism and interpretation.
Sartre, Jean-Paul,1905-1980-- Criticism and interpretation.
Camus, Albert,1913-1960
Camus, Albert,1913-1960-- analys och tolkning.
Sartre, Jean-Paul,1905-1980
Sartre, Jean-Paul,1905-1980-- analys och tolkning.