Studies in German literature, linguistics, and culture
Includes bibliographical references (pages 185-199) and index.
Marie von Ebner-Eschenbach and Helene Druskowitz -- Elsa Bernstein-Porges, Mathilde Paar, Gertrud Prellwitz, Anna Croissant-Rust -- Julie Kühne, Laura Marholm, Clara Viebig -- Marie Eugenie delle Grazie, Lu Märten, Berta Lask -- Else Lasker-Schüler -- Marieluise Fleisser.
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"This book looks in detail at women's playwriting in German between 1860 and 1945, and at its reception by critics. Many of the works considered have never before been analyzed by modern scholarship; others, notably the plays of Marieluise Fleisser and Else Lasker-Schuler, are well known, but are read here for the first time in the context of earlier dramatic work by women. Sarah Colvin seeks modes of reading that do justice both to the dramatic texts as performance texts, and to the sense of "otherness" experienced by the woman writer in a male-dominated literary and theatrical environment. She concludes that an understanding of the techniques developed by women playwrights of the nineteenth and early twentieth centuries can enrich our reading not only of Fleisser and Lasker, but of contemporary dramatists such as Jelinek. If all the world's a stage, playwrights can theoretically be seen as in control of the world they create; this book asks to what extent women dramatists manage to use the space of the drama to reflect the world that they experience."--BOOK JACKET.
German drama-- 19th century-- History and criticism.
German drama-- 20th century-- History and criticism.
German drama-- Women authors-- History and criticism.
Women and literature-- Germany-- History-- 19th century.
Women and literature-- Germany-- History-- 20th century.