Includes bibliographical references (pages 115-117) and index.
Introduction -- The genesis of Romeo et Juliette -- Berlioz, Shakespeare, and Garrick -- Exordium: Introduction and prologue; Romeo seul -- The heart of the matter: Scene d'amour; La reine Mab -- Tragedy and reconciliation: Convoi funebre; Romeo au tombeau; Finale -- A view from 1839 by Stephen Heller -- Performance and reception: 1839 and beyond -- Afterword: Romeo et Juliette as covert opera.
0
"Berlioz's 'dramatic symphony' Roméo et Juliette is regarded by many as his finest work; it is certainly among the most original. It is played less often than his earlier symphonies, because it requires solo voices and chorus; yet at its heart is some of the most inspired orchestral music of the nineteenth century. This book summarises the complex genesis of the work before examining the music closely and always with a view to understanding its dramatic implications. The early and later critical reception is quoted and discussed and Julian Rushton concludes by suggesting a way of hearing the work which recognises the value of its mixed genre. The complete libretto is provided in both English and French."--Publisher's description.
Berlioz, Hector,1803-1869., Roméo et Juliette.
Berlioz, Hector,1803-1869, Roméo et Juliette.
Berlioz, Hector, 1803-1869, Roméo et Juliette
Berlioz, Hector,1803-1869-- Criticism and interpretation.