Intro; Acknowledgements; Contents; Section I: Influence and Identity; Chapter 1: Introduction: "An Echo of Someone Else's Music"; References; Manuscripts; Articles; Books; Chapter 2: Establishing Influence; A Literary Friendship (1888-1895); Image and Influence; References; Manuscripts; Articles; Books; Chapter 3: "A Provincial Like Myself": Yeats, Wilde and the Politics of Identity; References; Manuscripts; Articles; Books; Section II: Mask and Image; Chapter 4: Metaphysics and Masks (1908-1917); Yeats's Perception of Wilde and Mask; The Player Queen (1908-1910); References; Manuscripts.
ArticlesBooks; Chapter 5: The Idea Incarnate: Mask and Image (1915-1917); Sublimated Image and Creative Repression; The Player Queen (1915-1917); De Profundis, Per Amica Silentia Lunae and the Intricacies of Mask; References; Manuscripts; Articles; Books; Section III: Salomé: Symbolism, Dance and Theories of Being; Chapter 6: "Surface and Symbol": Wilde's Salomé, French Symbolism and Yeats (1891-1906); Symbolist Theatre and Wilde's Salomé; Yeats, Symbolism and Wilde's Salomé; References; Articles; Books.
Chapter 7: Yeats's Creative Use of Wilde's Salomé in his Revisions of The Shadowy Waters, On Baile's Strand and DeirdreSensuality and the Female Protagonist in Yeats's Revisions; The Use of Symbol in Yeats's Revisions; The Kiss, the Moon and the Gaze; Apprehending the Metaphysical; Structural Devices in Yeats's Revisions; References; Manuscripts; Articles; Books; Chapter 8: "Drama as Personal as a Lyric": The Centrality of Wilde's Concepts of Dance, Desire and Image to Yeats's Developing Aesthetic (1916-1921); Dance and the Nature of Desire; Dance and the Composite Image; References.
ManuscriptsArticles; Books; Chapter 9: "There Must Be Severed Heads": Yeats's Final Transumption of Oscar Wilde (1923-1939); The King of the Great Clock Tower; A Full Moon in March; References; Manuscripts; Articles; Books; Chapter 10: Conclusion; References; Primary Sources; Secondary Sources; Index.
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This book asserts that Oscar Wilde (1854 - 1900) was a major precursor of W.B. Yeats (1865 - 1939), and shows how Wilde's image and intellect set in train a powerful influence within Yeats's creative imagination that remained active throughout the poet's life. The intellectual concepts, metaphysical speculations and artistic symbols and images which Yeats appropriated from Wilde changed the poet's perspective and informed the imaginative system of beliefs that Yeats formulated as the basis of his dramatic and poetic work. Section One, 'Influence and Identity' (1888 - 1895), explores the personal relationship of these two writers, their nationality and historical context as factors in influence. Section Two, 'Mask and Image' (1888 - 1917), traces the creative process leading to Yeats's construction of the antithetical mask, and his ideas on image, in relation to the role of Wilde as his precursor. Finally, 'Salomé: Symbolism, Dance and Theories of Being' (1891 - 1939) concentrates on the immense influence that Wilde's symbolist play, Salomé, wrought on Yeats's imaginative work and creative sensibility.
Springer Nature
com.springer.onix.9783319895482
Influence of Oscar Wilde on W.B. Yeats.
9783319895475
Wilde, Oscar,1854-1900-- Criticism and interpretation.
Yeats, W. B., (William Butler),1865-1939-- Criticism and interpretation.
Wilde, Oscar,1854-1900.
Yeats, W. B., (William Butler),1865-1939.
English literature-- 19th century-- History and criticism.
English literature-- Irish authors-- History and criticism.