Applied Metaphysics: Shifting Blackface Hermeneutics inReal-Life PracticeLegacy andConclusions; Works Cited; Chapter 4: From Allegorical Type andSartorial Satire toMinstrel Dandy Stereotype, Zip Coon, Jim Crow, andBlackface-on-Black Violence; Black Fools andTheir Mirrors: Moralizing Emblems ofVanity intheRise oftheDandy Stereotype; Mirroring theImaginary: Moralizing Exempla forAntebellum America; Delusions ofDemocratic Egalitarianism VersusBlackface-on-Black Violence; Works Cited
Chapter 5: Sambo Dialects: Defining National Language Boundaries via Early Representations ofStereotypically Black SpeechRegional, Proto-national, andTransnational Blackface Dialects; Language Lessons: Blackface Dialects andtheCreation of"The King's English"; Baby Talk: TheChild-Like Typology andStereotype; Conclusions; Works Cited; Chapter 6: Blackface inShakespeare: Challenging Racial Allegories ofFolly andSpeech-Cleopatra, Caliban, Othello; Sub-textual Allegories ofFolly andRace inAntony andCleopatra
Psychomachia, Speech asRacialized Sign, andthe"White-Souled Ethiope" inOthelloSpeaking Parrot: BeyondManichean Binary andWhite/Black Allegorical Interpretations; Conclusions; Works Cited; Chapter 7: Shakespeare inBlackface: Black Shakespeareans versus Minstrel Burlesques, 1821-1844, or Othello versus Otello; "Shakespeare's Proud Representative[s]": Contexts forReception oftheAfrican Theatre Company; "To Beor Not toBe, Dat Is Him Question": Shakespearean English VersusMinstrel Dialect; Deciphering T.D. Rice's Otello
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"This book traces blackface types from ancient masks of grinning Africans and phallus-bearing Roman fools through to comedic medieval devils, the pan-European black-masked Titivillus and Harlequin, and racial impersonation via stereotypical 'black speech' explored in the Renaissance by Lope de Vega and Shakespeare. Jim Crow and antebellum minstrelsy recycled Old World blackface stereotypes of irrationality, ignorance, pride, and immorality. Drawing upon biblical interpretations and philosophy, comic types from moral allegory originated supposedly modern racial stereotypes. Early blackface traditions thus spread damning race-belief that black people were less rational, hence less moral and less human. Such notions furthered the global Renaissance's intertwined Atlantic slave and sugar trades and early nationalist movements. The latter featured overlapping definitions of race and nation, as well as of purity of blood, language, and religion in opposition to 'Strangers'. Ultimately, Old World beliefs still animate supposed 'biological racism' and so-called 'white nationalism' in the age of Trump."--
Springer Nature
com.springer.onix.9783319780481
Racism and Early Blackface Comic Traditions.
9783319780474
Blackface entertainers-- Europe-- History.
Racism-- Europe-- History.
Theater-- Europe-- History.
Blackface entertainers.
BODY, MIND & SPIRIT-- Spirituality-- Paganism & Neo-Paganism.