عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
TL48125
انگلیسی
Brahmans Beyond Nationalism, Muslims Beyond Dominance: A Hidden History of North Indian Classical Music's Hinduization
[Thesis]
[Thesis]
[Thesis]
[Thesis]
Justin Scarimbolo
Marcus, Scott L.
University of California, Santa Barbara
2014
627
Committee members: Cooley, Timothy J.; Lipsitz, George
Place of publication: United States, Ann Arbor; ISBN=978-1-321-56857-8
Ph.D.
Music
University of California, Santa Barbara
2014
This dissertation challenges two key assumptions that structure nearly all historical accounts of modern North Indian classical music: (1) that Muslim musicians imposed a 'secretive' and 'jealously guarded' monopoly over the field from the seventeenth to the twentieth centuries and (2) that upper-caste Hindus eventually penetrated this monopoly only by the late nineteenth and early twentieth centuries under the protective umbrella of a nationalist musical reform movement. Both assumptions attempt to explain a demographic shift among musicians from a Muslim to a Hindu majority over the twentieth century. Though recent scholarship has begun to suggest a more complex reality, most accounts still presume a neat sequence of two consecutive 'dominances' characterized by intrinsic cultural essences: the first, (intransigent, insular and pre-modern) Muslim; and the second, (nationalistic, communalistic and modern) Hindu. Nearly all of this research, moreover, is based on a limited set of data generally dated no earlier than the 1870s and thus within the nationalist period of musical reform.
Cultural anthropology; Music; South Asian Studies
Social sciences;Communication and the arts;Brahman;Ethnomusicology;Hinduization;Hindustani;Historical ethnomusicology;Music
Banks, David Edward
Marcus, Scott L.
Music
University of California, Santa Barbara
1658214423; 3682973
مطالعه متن کتاب p
[Thesis]
276903
a
Y
