Includes bibliographical references (p. 252-276) and index.
Introduction. Henry Higgins, professor of phonetics ; Helmholtz as modern -- Popular sensations. The popular impulse ; Renovating musical knowledge ; Sensation, interest, value ; The wider campaign -- Refunctioning the ear. Hearing and erring ; The ear and its doubles ; Das körperliche Ohr (sensation) ; Das geistige Ohr (signification) -- The problem of attention. Temporalities of attention ; The third ear ; Fixity and difference ; Attention and apperception -- Music theory as liberal progressive history. The theory of "affinity" ; The history of "affinity" ; Between choice and necessity ; The double choice -- Voices of reform. Refunctioning the voice ; Helmholtz in England : the Tonic Sol-fa Society ; "Natural" intonation in theory and practice -- Epilogue : Helmholtz and modernism. The modernity of sensation ; Helmholtzian Wagnerism? ; Schoenberg's expressionist Empfindungswelt ; Max Weber and the modern listener ; Conclusion.