Catherine De' Medici and the Art of Self-Definition in Sixteenth-Century France
نام عام مواد
[Thesis]
نام نخستين پديدآور
Curry, Taylor
نام ساير پديدآوران
Pearson, Andrea
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
American University
تاریخ نشرو بخش و غیره
2020
مشخصات ظاهری
نام خاص و کميت اثر
58
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
M.A.
کسي که مدرک را اعطا کرده
American University
امتياز متن
2020
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Catherine de' Medici (1519-1589) was defined in part by the powerful men in her life: her uncle Pope Clement VII (1523-1534), her husband Henri II (1519-1559), King of France, and later her sons Francis II (1544-1560), Charles IX (1550-1574), and Henri III (1551-1589). Despite attempts by others to elide her individual identity and hold her power in check, Catherine created politically effective representations of herself, her position, and her authority through commissioning and displaying art. The artistic sphere was not inherently political, which allowed Catherine to redefine her identity outside of male influence and to take ownership of the multiple, intersecting roles she occupied as a wife, widow, and mother. By creating an identity that included this assemblage of roles, Catherine created her own independent narrative that asserted her political authority and individual identity.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Art collection
موضوع مستند نشده
Art display
موضوع مستند نشده
Catherine de' Medici
موضوع مستند نشده
France
موضوع مستند نشده
Portrait
موضوع مستند نشده
Renaissance
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )