the Power of the Human Rights Fiction for Argentina's Dirty War
نام ساير پديدآوران
Irlam, Shaun
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
State University of New York at Buffalo
تاریخ نشرو بخش و غیره
2020
مشخصات ظاهری
نام خاص و کميت اثر
61
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
M.A.
کسي که مدرک را اعطا کرده
State University of New York at Buffalo
امتياز متن
2020
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
History is a mixture of fact and fiction blended together beyond recognition. Laura Stoler in her book Along the Archival Grain investigates the archival process and attempts to "distinguish between what was 'unwritten' because 'everyone knew it,' what was unwritten because it could not yet be articulated, and what was unwritten because it could not be said" (Stoler 2009). She argues that official colonial archives are products of state machines that "reproduce those states themselves" (Stoler 2009). [H]istory is built on the official documents and letters that are left behind for us. Cathy Caruth also investigates [H]istory, but she tackles the question in reverse. Rather than exploring the official colonial trail, she begs the question of how to retrieve a history whose advent is "constituted by the way it disappears from consciousness, that eludes or erases memory in the very act of creating new events" (Caruth 2013). In authoritarian regimes - such as the Argentine dictatorship from 1976-1983, on which this paper is centered - censorship is used as an oppressive tactic to keep citizens in line. When the military junta took control of the Argentine state, they simultaneously took control of the historical record.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Authoritarian
موضوع مستند نشده
Comparative literature
موضوع مستند نشده
Derrida
موضوع مستند نشده
Dirty War
موضوع مستند نشده
Literature
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )