عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
شماره کتابشناسی ملی
شماره
TLpq923280632
زبان اثر
زبان متن نوشتاري يا گفتاري و مانند آن
انگلیسی
عنوان و نام پديدآور
عنوان اصلي
The emperor's eye and the painter's brush:
نام عام مواد
[Thesis]
نام نخستين پديدآور
Yael Rice
عنوان اصلي به قلم نويسنده ديگر
The rise of the Mughal court artist, c. 1546--1627
نام ساير پديدآوران
R. Holod
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
University of Pennsylvania
تاریخ نشرو بخش و غیره
2011
مشخصات ظاهری
نام خاص و کميت اثر
356
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
کسي که مدرک را اعطا کرده
University of Pennsylvania
امتياز متن
2011
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Even though the biographies and stylistic hands of individual Mughal court painters have been a central focus of scholarship over the last several decades, the idea of the emperor as the source and impetus for creative production has remained largely unquestioned. This dissertation challenges this notion by showing that paintings produced in the Mughal imperial atelier between circa 1546 and 1627, a period defined by the artistic materials themselves rather than by regnal dates, constitute the very means by which artists sought to improve their station and advance their profession at court. The royal patron is not removed entirely from the picture, but painters instead are brought to the fore and their status as imperial servants--whose standings in the imperial administration were seldom secure and often in flux--is integrally woven into the analysis of their artistic practices and works. By viewing a complex array of materials, including portraits, depictions of royal dreams, and the inscriptions that cover and are paired with these works, through this lens, a new conception of Mughal court painting comes into focus. Rather than a locus of the emperors' desires and psychologies, as this corpus of works has traditionally been viewed, it becomes clear that Mughal imperial painting is the very vehicle through which court painters demonstrated their artistic aptitude, performed and entertained, recorded (or, more accurately, imagined) imperial optical and visionary experiences, and, most importantly, expressed their loyalty and devotion to their royal patrons. In this way, Mughal imperial painting can be said to speak as much (or more so) to the aspirations and ambitions of court artists than to those of the emperors.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Communication and the arts
موضوع مستند نشده
India
موضوع مستند نشده
Mughal court
موضوع مستند نشده
Painting
موضوع مستند نشده
Portraiture
موضوع مستند نشده
Social sciences
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
R. Holod
مستند نام اشخاص تاييد نشده
Yael Rice
دسترسی و محل الکترونیکی
نام الکترونيکي
مطالعه متن کتاب وضعیت انتشار
فرمت انتشار
p
اطلاعات رکورد کتابشناسی
نوع ماده
[Thesis]
کد کاربرگه
276903
اطلاعات دسترسی رکورد
سطح دسترسي
a
تكميل شده
Y
