Since his early days Augustine was acquainted with the Varronian triplicity of sound (vocalis, semivocalis-mutus). He employed it even in his Enarrationes in psalmos when explaining the musical instruments mentioned in the Psalter. After having explored the allegorical meaning of the instruments mentioned in particular biblical passages-including the human voice-he interprets their symphony in the final Psalm 150, relating the Varronian triad uoce-spiritu-pulsu to the anthropological triplicity mens-spiritus-corpus as well as to the theological Trinity. Since his early days Augustine was acquainted with the Varronian triplicity of sound (vocalis, semivocalis-mutus). He employed it even in his Enarrationes in psalmos when explaining the musical instruments mentioned in the Psalter. After having explored the allegorical meaning of the instruments mentioned in particular biblical passages-including the human voice-he interprets their symphony in the final Psalm 150, relating the Varronian triad uoce-spiritu-pulsu to the anthropological triplicity mens-spiritus-corpus as well as to the theological Trinity.
مجموعه
تاريخ نشر
2016
توصيف ظاهري
509-534
عنوان
Vigiliae Christianae
شماره جلد
70/5
شماره استاندارد بين المللي پياييندها
1570-0720
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
allegorical explanation
اصطلاح موضوعی
Augustine
اصطلاح موضوعی
musical instruments
اصطلاح موضوعی
Psalter
اصطلاح موضوعی
Trinity
اصطلاح موضوعی
triplicity of sound
اصطلاح موضوعی
Varro
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )