This essay addresses "The Song of Chief Iipumbu," an oral poem performed by a woman named Nekwaya Loide Shikongo in North-Central Namibia in 1953. It argues that "The Song of Chief Iipumbu" acted as an astute analysis of local power relations, employing scornful commentary on a deposed native chief as a cover for subtle but profound criticisms of European colonial institutions to which Shikongo, as a African Christian woman, was subject. Through a brief history of colonialism in Namibia and detailed attention to the linguistic and discursive webs woven by the poem's author, this essay shows that Shikongo's censure of oppressive authorities was not an attempt to undermine the networks of power operating in colonial Namibia. Rather, it was an effort to affect acceptance of (or at least resignation to) her subordination in order to achieve the renewal of psychological and social equilibrium. This essay addresses "The Song of Chief Iipumbu," an oral poem performed by a woman named Nekwaya Loide Shikongo in North-Central Namibia in 1953. It argues that "The Song of Chief Iipumbu" acted as an astute analysis of local power relations, employing scornful commentary on a deposed native chief as a cover for subtle but profound criticisms of European colonial institutions to which Shikongo, as a African Christian woman, was subject. Through a brief history of colonialism in Namibia and detailed attention to the linguistic and discursive webs woven by the poem's author, this essay shows that Shikongo's censure of oppressive authorities was not an attempt to undermine the networks of power operating in colonial Namibia. Rather, it was an effort to affect acceptance of (or at least resignation to) her subordination in order to achieve the renewal of psychological and social equilibrium. This essay addresses "The Song of Chief Iipumbu," an oral poem performed by a woman named Nekwaya Loide Shikongo in North-Central Namibia in 1953. It argues that "The Song of Chief Iipumbu" acted as an astute analysis of local power relations, employing scornful commentary on a deposed native chief as a cover for subtle but profound criticisms of European colonial institutions to which Shikongo, as a African Christian woman, was subject. Through a brief history of colonialism in Namibia and detailed attention to the linguistic and discursive webs woven by the poem's author, this essay shows that Shikongo's censure of oppressive authorities was not an attempt to undermine the networks of power operating in colonial Namibia. Rather, it was an effort to affect acceptance of (or at least resignation to) her subordination in order to achieve the renewal of psychological and social equilibrium. This essay addresses "The Song of Chief Iipumbu," an oral poem performed by a woman named Nekwaya Loide Shikongo in North-Central Namibia in 1953. It argues that "The Song of Chief Iipumbu" acted as an astute analysis of local power relations, employing scornful commentary on a deposed native chief as a cover for subtle but profound criticisms of European colonial institutions to which Shikongo, as a African Christian woman, was subject. Through a brief history of colonialism in Namibia and detailed attention to the linguistic and discursive webs woven by the poem's author, this essay shows that Shikongo's censure of oppressive authorities was not an attempt to undermine the networks of power operating in colonial Namibia. Rather, it was an effort to affect acceptance of (or at least resignation to) her subordination in order to achieve the renewal of psychological and social equilibrium.
مجموعه
تاريخ نشر
2018
توصيف ظاهري
258-297
عنوان
Religion and Theology
شماره جلد
25/3-4
شماره استاندارد بين المللي پياييندها
1574-3012
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
agency
اصطلاح موضوعی
Christianity
اصطلاح موضوعی
colonialism
اصطلاح موضوعی
General
اصطلاح موضوعی
History of Religion
اصطلاح موضوعی
missionaries
اصطلاح موضوعی
Namibia
اصطلاح موضوعی
Owambo
اصطلاح موضوعی
performance
اصطلاح موضوعی
Religion & Society
اصطلاح موضوعی
Religious Studies
اصطلاح موضوعی
resistance
اصطلاح موضوعی
Social Sciences
اصطلاح موضوعی
Theology and World Christianity
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )