Narrative and Liminality in Rembrandts Death of the Virgin
نام نخستين پديدآور
Ronald Bernier
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
Leiden
نام ناشر، پخش کننده و غيره
Brill
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This essay examines Rembrandt's 1639 etching, The Death of the Virgin, an image which, despite a comprehensive literature on the artist's graphic work, has received little critical attention beyond formal analyses of the print as evidence of the artist's stylistic transition from an elaborate Baroque sensibility, typical of the 1630s, to a more restrained vision of the 1640s. It considers the special nature of the depicted subject, the transitus of the Virgin from earthly to heavenly life and the promise that miracle holds for the eternal life of all believers. Taking into account official Protestant and Reformed iconoclast proscriptions of the cult of the Virgin, as well as the iconographic features of literary, visual and personal sources, the author re-interprets the subject of the spiritual mystery beyond a dominantly literal and narrative depiction of the moment of death, to an exegesis on the promise of and faith in salvation, specifically through the intercession of the Virgin, she who transcends finite mortality and who holds, according to the faithful, that special 'liminal' place between the divine and the earthly.
مجموعه
تاريخ نشر
2005
توصيف ظاهري
173-207
عنوان
Religion and the Arts
شماره جلد
9/3-4
شماره استاندارد بين المللي پياييندها
1568-5292
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
Art History
اصطلاح موضوعی
Comparative Religion & Religious Studies
اصطلاح موضوعی
General
اصطلاح موضوعی
History
اصطلاح موضوعی
Religious Studies
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )