This article focuses on the picture "Moroccans," by Jacques Kuyper, in Martinus Stuart's work. Although the picture of the "Moroccans" does not have any special art-historical value, it is interesting as a document-cum-monument that tells a fascinating story about another tipping point with regard to the image of Islam in Dutch history. "Moroccans" conveys a message that a twenty-first-century beholder cannot, or can no longer, grasp at a glance. This message cannot be understood unless the picture itself, as well as Martinus Stuart's comment to it, is studied, and both are interpreted in their own socio-historical context. This article focuses on the picture "Moroccans," by Jacques Kuyper, in Martinus Stuart's work. Although the picture of the "Moroccans" does not have any special art-historical value, it is interesting as a document-cum-monument that tells a fascinating story about another tipping point with regard to the image of Islam in Dutch history. "Moroccans" conveys a message that a twenty-first-century beholder cannot, or can no longer, grasp at a glance. This message cannot be understood unless the picture itself, as well as Martinus Stuart's comment to it, is studied, and both are interpreted in their own socio-historical context.
مجموعه
تاريخ نشر
2016
توصيف ظاهري
587-607
عنوان
Religion and the Arts
شماره جلد
20/5
شماره استاندارد بين المللي پياييندها
1568-5292
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
Jacques Kuyper
اصطلاح موضوعی
Martinus Stuart
اصطلاح موضوعی
Religion and Arts
اصطلاح موضوعی
religious diversity
اصطلاح موضوعی
the image of Islam in the West
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )