Cinema, Supernatural Archaeology, and the Hidden Human Past
نام عام مواد
[Article]
نام نخستين پديدآور
Peter Hiscock
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
Leiden
نام ناشر، پخش کننده و غيره
Brill
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Close analysis of modern movies reveals - yet archaeologists and historians have failed to understand - that the dominant representation of archaeological research and ancient human culture in mainstream cinema involves explorations of supernatural objects and events. Cinematic archaeology tends to be mythic rather than realistic in focus. Movies frequently present images of the human past that are pseudoarchaeological in the sense that these films tell the same stories as 'alternative archaeology,' even though they may not make an explicit claim to the truthfulness of the events depicted. This pattern is documented through a review of films employing the ancient astronaut model in which visiting aliens changed human development in the past, and through an examination of the work of writer/director Roland Emmerich who has specialized in those films. The cinematic history of these narratives is long, demonstrating that cinema does not merely reproduce popular pseudoarchaeological research, it has also contributed to the growth of these stories. Close analysis of modern movies reveals - yet archaeologists and historians have failed to understand - that the dominant representation of archaeological research and ancient human culture in mainstream cinema involves explorations of supernatural objects and events. Cinematic archaeology tends to be mythic rather than realistic in focus. Movies frequently present images of the human past that are pseudoarchaeological in the sense that these films tell the same stories as 'alternative archaeology,' even though they may not make an explicit claim to the truthfulness of the events depicted. This pattern is documented through a review of films employing the ancient astronaut model in which visiting aliens changed human development in the past, and through an examination of the work of writer/director Roland Emmerich who has specialized in those films. The cinematic history of these narratives is long, demonstrating that cinema does not merely reproduce popular pseudoarchaeological research, it has also contributed to the growth of these stories.
مجموعه
تاريخ نشر
2012
توصيف ظاهري
156-177
عنوان
Numen
شماره جلد
59/2-3
شماره استاندارد بين المللي پياييندها
1568-5276
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
ancient astronauts
اصطلاح موضوعی
archaeology
اصطلاح موضوعی
cinema
اصطلاح موضوعی
Indiana Jones
اصطلاح موضوعی
pseudoarchaeology
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )