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عنوان
THE REBIRTH OF MYTH?:

پدید آورنده
Robert Yelle

موضوع

رده

کتابخانه
مرکز و کتابخانه مطالعات اسلامی به زبان‌های اروپایی

محل استقرار
استان: قم ـ شهر: قم

مرکز و کتابخانه مطالعات اسلامی به زبان‌های اروپایی

تماس با کتابخانه : 32910706-025

شماره کتابشناسی ملی

شماره
LA122422

زبان اثر

زبان متن نوشتاري يا گفتاري و مانند آن
انگلیسی

عنوان و نام پديدآور

عنوان اصلي
THE REBIRTH OF MYTH?:
نام عام مواد
[Article]
ساير اطلاعات عنواني
NIETZSCHES ETERNAL RECURRENCE AND ITS ROMANTIC ANTECEDENTS
نام نخستين پديدآور
Robert Yelle

وضعیت نشر و پخش و غیره

محل نشرو پخش و غیره
Leiden
نام ناشر، پخش کننده و غيره
Brill

یادداشتهای مربوط به خلاصه یا چکیده

متن يادداشت
"There is increasing evidence of the influence of various Romantic thinkers on Nietzsche's early philosophy, especially on The Birth of Tragedy, with its announcement or prediction of a rebirth of myth. The prophetic Thus Spoke Zarathustra, which Nietzsche introduced with the words "tragedy begins," expresses his later philosophy, particularly his central doctrine of the Eternal Recurrence, in symbols, parables, and riddles, suggesting an attempt at mythopoeia. However, the critical, ironic, and parodying elements in Nietzsche's later philosophy have led to its characterization as "antimyth." This essay demonstrates that Nietzsche's idea and symbolism of the Eternal Recurrence as a temporal cycle of opposites represented by various forms of the circle, especially the ouroborus or serpent biting its own tail, and associated with Zoroaster, Heraclitus, and Dionysus, was influenced by the tradition of Romantic mythology. Before the publication of The Birth of Tragedy, Nietzsche encountered the writings of Johann Jakob Bachofen and Friedrich Creuzer, where the cycle of opposites is identified as a specifically mythic idea, which developed later into a philosophy, as metonymically represented in the relationship between the myth-maker Zoroaster and the philosopher Heraclitus. In The Birth of Tragedy, the cycle of opposites became for Nietzsche a symbol of the unity of myth and philosophy, and the rebirth of the former from the self-overcoming of the latter. This symbol continued to serve Nietzsche throughout his career as a model for his own development as a philosopher. The Eternal Recurrence appears to have been his own attempt to unite myth and philosophy, through the transformation of an originally Romantic mythological idea into its opposite, and the adoption of a symbolic and "mythic" style of expression. There is increasing evidence of the influence of various Romantic thinkers on Nietzsche's early philosophy, especially on The Birth of Tragedy, with its announcement or prediction of a rebirth of myth. The prophetic Thus Spoke Zarathustra, which Nietzsche introduced with the words "tragedy begins," expresses his later philosophy, particularly his central doctrine of the Eternal Recurrence, in symbols, parables, and riddles, suggesting an attempt at mythopoeia. However, the critical, ironic, and parodying elements in Nietzsche's later philosophy have led to its characterization as "antimyth." This essay demonstrates that Nietzsche's idea and symbolism of the Eternal Recurrence as a temporal cycle of opposites represented by various forms of the circle, especially the ouroborus or serpent biting its own tail, and associated with Zoroaster, Heraclitus, and Dionysus, was influenced by the tradition of Romantic mythology. Before the publication of The Birth of Tragedy, Nietzsche encountered the writings of Johann Jakob Bachofen and Friedrich Creuzer, where the cycle of opposites is identified as a specifically mythic idea, which developed later into a philosophy, as metonymically represented in the relationship between the myth-maker Zoroaster and the philosopher Heraclitus. In The Birth of Tragedy, the cycle of opposites became for Nietzsche a symbol of the unity of myth and philosophy, and the rebirth of the former from the self-overcoming of the latter. This symbol continued to serve Nietzsche throughout his career as a model for his own development as a philosopher. The Eternal Recurrence appears to have been his own attempt to unite myth and philosophy, through the transformation of an originally Romantic mythological idea into its opposite, and the adoption of a symbolic and "mythic" style of expression."

مجموعه

تاريخ نشر
2000
توصيف ظاهري
175-202
عنوان
Numen
شماره جلد
47/2
شماره استاندارد بين المللي پياييندها
1568-5276

نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )

مستند نام اشخاص تاييد نشده
Robert Yelle

شماره دستیابی

شماره بازیابی
10.1163/156852700511496

دسترسی و محل الکترونیکی

نام الکترونيکي
 مطالعه متن کتاب 

وضعیت انتشار

فرمت انتشار
p

اطلاعات رکورد کتابشناسی

نوع ماده
[Article]
کد کاربرگه
275578

اطلاعات دسترسی رکورد

سطح دسترسي
a
تكميل شده
Y

پیشنهاد / گزارش اشکال

اخطار! اطلاعات را با دقت وارد کنید
ارسال انصراف
این پایگاه با مشارکت موسسه علمی - فرهنگی دارالحدیث و مرکز تحقیقات کامپیوتری علوم اسلامی (نور) اداره می شود
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