عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
شماره کتابشناسی ملی
شماره
TL53513
زبان اثر
زبان متن نوشتاري يا گفتاري و مانند آن
انگلیسی
عنوان و نام پديدآور
عنوان اصلي
The Shiraz Arts Festival: Cultural Democracy, National Identity, and Revolution in Iranian Performance, 1967-1977
نام عام مواد
[Thesis]
نام نخستين پديدآور
Charney, Joshua Jamsheed
نام ساير پديدآوران
Davis, Anthony
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
University of California, San Diego
تاریخ نشرو بخش و غیره
2020
يادداشت کلی
متن يادداشت
143 p.
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
کسي که مدرک را اعطا کرده
University of California, San Diego
امتياز متن
2020
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
The Shiraz Arts Festival was an annual weeklong summer festival that ran from 1967 to 1977 in and around the city of Shiraz, Iran. Subsidized by the Iranian government and spearheaded by Queen Farah Pahlavi, this international festival presented contemporary, classical, traditional, and avant-garde music, theater, and dance from all over the world. Organized around the goals of raising the cultural standard in Iran, celebrating Iranian traditions, and familiarizing Iranians with the latest international artistic developments, this event promoted the sharing of culturally democratic values and the representation of a balanced Iranian national identity. At the same time, because of certain controversies surrounding the Festival, critics and historians have placed it in the context of the 1979 Iranian Revolution where opposition led by the Ayatollah Khomeini replaced the Shah Mohammad Reza Pahlavi's monarchical government. This dissertation investigates and details the Festival's relationship with cultural democracy, Iranian identity, and the revolutionary narrative. The Festival encouraged democratic values by allowing new artistic freedoms, calling for multicultural inclusivity, granting access to the masses, and inspiring intercultural collaborations. Certain performances, such as concerts of traditional Iranian music, exhibited several sides of Iranian identity. Young musicians inserted a modern sound into the tradition, while engaging with both Iran's ancient pre-Islamic history and Islamic spiritualism. Additionally, the Festival echoed a failing government in its embrace of the Western avant-garde and Western imitation, and in its financial expenditure during a time of intensifying wealth inequality. Furthermore, related controversies were utilized to fit a campaign of dissent. My writing reveals how potentially conflicting ideas and identities aided in creating a unique and unprecedented cultural event. Ultimately, the Festival proved that cultural democracy and Iranian identity were fundamental to Iranian performance and the arts could continue to be a place for reflecting on social issues within a decentralized public space.
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
Music
اصطلاح موضوعی
Music history
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
Charney, Joshua Jamsheed
نام شخص - ( مسئولیت معنوی درجه دوم )
مستند نام اشخاص تاييد نشده
Davis, Anthony
شناسه افزوده (تنالگان)
مستند نام تنالگان تاييد نشده
University of California, San Diego
دسترسی و محل الکترونیکی
نام الکترونيکي
مطالعه متن کتاب وضعیت انتشار
فرمت انتشار
p
اطلاعات رکورد کتابشناسی
نوع ماده
[Thesis]
کد کاربرگه
276903
اطلاعات دسترسی رکورد
سطح دسترسي
a
تكميل شده
Y
