women, sexuality, and gender in classical art and archaeology /
نام نخستين پديدآور
edited by Ann Olga Koloski-Ostrow, Claire L. Lyons.
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
New York :
نام ناشر، پخش کننده و غيره
Routledge,
تاریخ نشرو بخش و غیره
1997.
مشخصات ظاهری
نام خاص و کميت اثر
1 online resource (xv, 315 pages) :
ساير جزييات
illustrations, map
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 287-305) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Naked truths about classical art : an introduction / Claire L. Lyons and Ann Olga Koloski-Ostrow -- "Ways of seeing" women in antiquity : an introduction to feminism in classical archaelogy and ancient art history / Sheby Brown -- Female beauty and male violence in early Italian society / John Robb -- Divesting the female breast of clothes in classical sculpture / Beth Cohen -- When painters execute a murderess : the representation of clytemnestra on attic vases / Francine Viret Bernal -- Sappho in attic vase painting / Jane McIntosh Snyder -- Gender and sexuality in the parthenon frieze / John G. Younger -- Naked and limbless : learning about the feminine body in ancient Athens / JOan Reilly -- Nursing mothers in classical art / Larissa Bonfante -- Making a world of difference : gender, asymetry, and the Greek nude / Nanette Salomon -- The only happy couple : hermaphrodites and gender / Aileen Ajootian -- Violent stages in two Pompeian houses : imperial taste, aristocratic response, and messages of male control / Ann Olga Koloski-Ostrow -- Epilogue : gender and desire / Natalie Boymel Kampen.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Naked Truths explores how sexual difference is communicated symbolically in Greco- Roman art and architecture. Highlighting the visual mechanisms that regulated and reinforced gender roles, this volume demonstrates the application of feminist approaches to a diverse repertory of classical art and, offering both topical and controversial readings of the subjects. Among the topics discussed are the dynamics of female beauty and male violence in early Italian society; portrayals of nursing mothers in Etruscan and Greek art; the divested breast in classical art; a feminist reading of the nude cult status of the Knidian Aphrodite; Clytemnestra and the iconography of transgression; images of Sappho in Greek vase painting; mortal and divine sexuality in the Parthenon frieze; voyeuristic intercations inspired by the figure of the hermaphrodite; and the role of desire and desirability in shaping a nuanced understanding of sex and gender in the ancient world.