عنوان

Expressionist film--new perspectives /

شابک

1571130683

شابک

157113350X

شابک

9781571130686

شابک

9781571133502

شماره

b752897

عنوان اصلي

Expressionist film--new perspectives /

نام عام مواد

[Book]

نام نخستين پديدآور

edited by Dietrich Scheunemann.

محل نشرو پخش و غیره

Rochester, NY :

نام ناشر، پخش کننده و غيره

Camden House,

تاریخ نشرو بخش و غیره

2003.

نام خاص و کميت اثر

xiv, 302 pages :

ساير جزييات

illustrations ;

ابعاد

24 cm.

عنوان فروست

Studies in German literature, linguistics, and culture

متن يادداشت

"The present volume is the first outcome of a joint research project carried out by the Centre for European Film Studies at the University of Edinburgh, the Institute for Film Studies at the University of Mainz and the German Film Museum in Frankfurt am Main."--P xii.

متن يادداشت

Includes bibliographical references (pages 279-288) and index.

متن يادداشت

Includes filmography: pages 271-278.

متن يادداشت

/ David Macrae.

متن يادداشت

Activating the differences : expressionist film and early Weimar cinema / Dietrich Scheunemann -- Weimar cinema, mobile selves, and anxious males : Kracauer and Eisner revisited / Thomas Elsaesser -- Revolution, power, and desire in Ernst Lubitsch's Madame Dubarry / Marc Silberman -- "Bringing the ghostly to life" : Fritz Lang and his early Dr. Mabuse films / Norbert Grob -- Murnau, a conservative filmmaker? : on film history as intellectual history / Thomas Koebner -- The double, the décor, and the framing device : once more on Robert Wiene's The cabinet of Dr. Caligari / Dietrich Scheunemann -- Film as graphic art : on Karl Heinz Martin's From morn to midnight / Jürgen Kasten -- Episodic patchwork : the bric-à-brac principle in Paul Leni's Waxworks / Jürgen Kasten -- Entrapment and escape : readings of the city in Karl Grune's The street and G.W. Pabst's The joyless street / Anthony Coulson -- Fragmenting the space : on E.A. Dupont's Varieté / Thomas Brandlmeier -- On Murnau's Faust : a generic Gesamtkunstwerk? / Helmut Schanze -- "Painting in time" and "visual music" : on German avant-garde films of the 1920s / Walter Schobert -- Ruttmann, rhythm, and "reality" : a response to Siegfried Kracauer's interpretation of Berlin, the symphony of a great city.

بدون عنوان

0

بدون عنوان

0

متن يادداشت

"In pursuing the variety of approaches, trends, and stylistic experiments in the cinema of the early years of Weimar, Expressionist Film - New Perspectives strives for a picture of the cinema of this period that reflects in thematic as well as stylistic terms the vibrant and multifaceted cultural and political developments of the time. The book is a joint venture of the Center for European Film Studies at the University of Edinburgh, the Institute for Film Studies at the University of Mainz, and the German Film Museum in Frankfurt am Main."--Jacket.

متن يادداشت

"This volume deals with one of the seminal chapters in the early history of cinema. Along with the classical Hollywood style of filmmaking and the montage style of the Russian revolutionary cinema, expressionist film represents one of the three pillars of the formation of film culture in its early decades. Yet, expressionist film was just one of the rich variety of film forms created in the years of the Weimar Republic. Robert Wiene's The Cabinet of Dr. Caligari and other expressionist films were accompanied by the historical spectacles and costume dramas of Ernst Lubitsch, Fritz Lang's crime serials, the monumental films of Joe May, the naturalist Kammerspielfilme, and the street and vaudeville explorations of Karl Grune and E.A. Dupont. In addition, beginning in 1921, avant-gardist films emerged in the context of the dadaist rather than the expressionist art movement. Together, the great variety of film forms and experiments makes the early years of Weimar one of the cinema history's most energetic and productive periods." "For half a century the reception of these films has been intricately linked with two books, Siegfried Kracauer's From Caligari to Hitler and Lotte Eisner's The Haunted Screen. It is largely to Kracauer and Eisner's credit that the films of this period have remained so alive in the cultural memory. However, fifty years on there is a growing awareness that the particular lines of inquiry pursued by Kracauer and Eisner have left us with a highly ambiguous and contradictory picture of the cinema of Wiemar, and that a fresh assessment of the film culture of these years is overdue."

موضوع مستند نشده

Expressionism.

موضوع مستند نشده

Motion pictures-- Germany-- History.

موضوع مستند نشده

Avant-garde.

موضوع مستند نشده

Expressionism.

موضوع مستند نشده

Expressionism.

موضوع مستند نشده

Expressionisme.

موضوع مستند نشده

Expressionismus

موضوع مستند نشده

Film

موضوع مستند نشده

Film.

موضوع مستند نشده

Filmkunst.

موضوع مستند نشده

Motion pictures-- Germany-- History.

موضوع مستند نشده

Motion pictures.

موضوع مستند نشده

Deutschland

موضوع مستند نشده

Deutschland.

موضوع مستند نشده

Germany.

بدون عنوان

7

بدون عنوان

7

بدون عنوان

7

شماره

ويراست

شماره رده

نشانه اثر

شماره رده

شماره رده

شماره رده

شماره رده

کد سيستم

کد سيستم

کد سيستم

کد سيستم

مستند نام اشخاص تاييد نشده

Scheunemann, Dietrich.

تاريخ عمليات

20201204122811.0

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y