عنوان

What women watched :

شابک

029270626X

شابک

0292706278

شابک

9780292706262

شابک

9780292706279

شماره

b733751

عنوان اصلي

What women watched :

نام عام مواد

[Book]

ساير اطلاعات عنواني

daytime television in the 1950s /

نام نخستين پديدآور

Marsha F. Cassidy.

محل نشرو پخش و غیره

Austin :

نام ناشر، پخش کننده و غيره

University of Texas Press,

تاریخ نشرو بخش و غیره

©2005.

نام خاص و کميت اثر

x, 264 pages :

ساير جزييات

illustrations ;

ابعاد

24 cm.

عنوان فروست

Louann Atkins Temple women & culture series ;

مشخصه جلد

bk. 10

متن يادداشت

Includes bibliographical references (pages 251-258) and index.

متن يادداشت

Introduction: Daytime television in the era of the feminine mystique, 1948-1960 -- The dawn of daytime: reaching out to women across America -- Kate Smith: remembering the future -- The charm boys woo the audience: Garry Moore, Arthur Godfrey, and Art Linkletter -- Misery loves company: Strike it rich, Glamour girl, and the critics -- Domesticity in doubt: Arlene Francis and Home -- Matinee theater and the question of soap opera -- At a loss for words: Queen for a day, It could be you, Who do you trust?, and The big payoff -- Visions of femininity.

بدون عنوان

0

متن يادداشت

In this pathfinding book, based on original archival research, Marsha F. Cassidy offers the first thorough analysis of daytime television's earliest and most significant women's genres, appraising from a feminist perspective what women watched before soap opera rose to prominence. After providing a comprehensive history of the early days of women's programming across the nation, Cassidy offers a critical discussion of the formats, programs, and celebrities that launched daytime TV in America--Kate Smith's variety show and the famed singer's unsuccessful transition from patriotic radio star to 1950s TV idol the "charm boys" Garry Moore, Arthur Godfrey, and Art Linkletter, whose programs honored women's participation but in the process established the dominance of male hosts on TV and the "misery shows" Strike It Rich and Glamour Girl and the controversy, both critical and legal, they stirred up. Cassidy then turns to NBC's Home show, starring the urbane Arlene Francis, who infused the homemaking format with Manhattan sophistication, and the ambitious daily anthology drama Matinee Theater, which strove to differentiate itself from soap opera and become a national theater of the air. She concludes with an analysis of four popular audience participation shows of the era--the runaway hit Queen for a Day Ralph Edwards's daytime show of surprises, It Could Be You Who Do You Trust?, starring a youthful Johnny Carson and The Big Payoff, featuring Bess Myerson, the country's first Jewish Miss America. Cassidy's close feminist reading of these shows clearly demonstrates how daytime TV mirrored the cultural pressures, inconsistencies, and ambiguities of the postwar era. --Publisher.

منبع سفارش / آدرس اشتراک

BWI

شماره انبار

0292706278

عنوان

What women watched.

موضوع مستند نشده

Television and women-- United States-- History.

موضوع مستند نشده

Women's television programs-- United States-- History.

موضوع مستند نشده

Télévision-- Émissions féminines-- États-Unis-- Histoire.

موضوع مستند نشده

Télévision et femmes-- États-Unis-- Histoire.

موضوع مستند نشده

Frauenfernsehen

موضوع مستند نشده

Television and women.

موضوع مستند نشده

Women's television programs.

موضوع مستند نشده

United States.

موضوع مستند نشده

USA

موضوع مستند نشده

USA.

بدون عنوان

7

بدون عنوان

7

بدون عنوان

7

شماره

ويراست

شماره رده

نشانه اثر

شماره رده

کد سيستم

مستند نام اشخاص تاييد نشده

Cassidy, Marsha Francis,1946-

تاريخ عمليات

20201203184743.0

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y