یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 395-409) and indexes.
یادداشتهای مربوط به مندرجات
متن يادداشت
Fugal fingers (1805-1818) -- Musical ornaments (1819-1821) -- Sibling rivalry and separation (1822-1824) -- Leipzigerstrasse No. 3 (1825-1828) -- Becoming Frau Hensel (1828-1830) -- Secret aspirations (1830-1833) -- Youthful decrepitude (1834-1835) -- Demonic influences (1836-1839) -- Italian intermezzo (1839-1840) -- Domestic tranquility (1840-1842) -- The joys of dilettantism (1843-1845) -- Engraver's ink and heavenly songs (1846-1847).
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Fanny Hensel (1805-1847) was an extraordinary musician and astute observer of European culture. Previously she was known mainly as the granddaughter of philosopher Moses Mendelssohn and the sister of composer Felix Mendelssohn Bartholdy, yet Hensel is now recognized as the leading woman composer of the nineteenth century. She produced well over four hundred compositions and excelled in short, lyrical piano pieces and songs of epigrammatic intensity, but the expressive range of her art also accommodated challenging virtuoso piano and chamber works, orchestral music, and cantatas written in imitation of J.S. Bach. Her gender and position in society restricted her from opportunities afforded her brother, however, who himself quickly rose to an international career of the first rank. Hensel's own sphere of influence revolved around her Berlin residence, where she directed concerts that attracted such celebrities as Franz Liszt, Clara Schumann, Clara Novello, and her brother Felix. In this semi-public space, shared with exclusive audiences drawn from the elite of Berlin society, Hensel found her own voice as pianist, conductor and composer. For much of her life, she composed for her own pleasure, and her brother ranked her songs among the very best examples of the genre. Felix silently incorporated several of the songs into his own early publications, while a few other songs were published anonymously. Hensel began releasing her works under her own name in 1847, only to die of a stroke as the first reviews of her music began to appear. Tragically, the vast majority of her music was forgotten for a century and a half before its recent rediscovery. Renowned Mendelssohn scholar R. Larry Todd now offers a compelling, full account of Hensel's life and music, her extraordinary relationship with her brother, her position in one of Berlin's most eminent families, and her courageous struggle to define her own public voice as a composer [Publisher description].
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Fanny Hensel.
نام شخص به منزله موضوع
موضوع مستند نشده
Hensel, Fanny Mendelssohn,1805-1847.
موضوع مستند نشده
Hensel, Fanny Mendelssohn,1805-1847.
موضوع مستند نشده
Hensel, Fanny Mendelssohn,1805-1847.
موضوع مستند نشده
Hensel, Fanny, 1805-1847
موضوع مستند نشده
Hensel, Fanny.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Women composers-- Germany, Biography.
موضوع مستند نشده
Women composers-- Germany, Biography.
موضوع مستند نشده
Women composers.
نام جغرافیایی به منزله موضوع
موضوع مستند نشده
Germany.
بدون عنوان
7
رده بندی ديویی
شماره
780
.
92
ويراست
22
رده بندی کنگره
شماره رده
ML410
.
H482
نشانه اثر
T63
2010
سایر رده بندی ها
شماره رده
9
,
2
شماره رده
K835
.
165
.
76
شماره رده
LP
64852
شماره رده
LP
67108
کد سيستم
ssgn
کد سيستم
clc
کد سيستم
rvk
کد سيستم
rvk
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )