یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 150-188) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Representation and presentation : Deleuze, Bergson, Peirce and 'the image' -- Beckett's aesthetic writings and 'the image' -- Relation and nonrelation -- The philosophical imaginary -- Cogito nescio -- Beckett, Berkeley, Bergson, film : the intuition image -- The ancient Stoics and the ontological image.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor' or 'representation', and, in the process, to analyse Beckett's use of images borrowed from philosophy and aesthetics. This study, first published in 2006, carefully examines Beckett's thoughts on the image in his literary works and his extensive notes to the philosopher Arnold Geulincx. Uhlmann considers how images might allow one kind of interaction between philosophy and literature, and how Beckett makes use of images which are borrowed from, or drawn into dialogue with, philosophical images from Geulincx, Berkeley, Bergson, and the ancient Stoics. Uhlmann's reading of Beckett's aesthetic and philosophical interests provides a revolutionary reading of the importance of the image in his work.
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Samuel Beckett and the philosophical image.
شماره استاندارد بين المللي کتاب و موسيقي
9780521865203
نام شخص به منزله موضوع
موضوع مستند نشده
Beckett, Samuel,1906-1989-- Criticism and interpretation.