This dissertation examines the roles and legacies of atomic weapons in the formation of post-World War II United States national culture and the post-1945 U.S. art canon. While the consideration of the presence of nuclear weapons in postwar art history has often been constricted to specific atomic imagery existing within an accepted historical framework (e.g. the "Atomic Age," c. 1945-1960), this dissertation traces a much deeper level of influence beyond the standard "atomic" imagery and outside the received (art) historical framing.
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )