عنوان

Post-Soviet Tuvan Throat-Singing (Xöömei) and the Circulation of Nomadic Sensibility

شماره

TL7dv610gq

زبان متن نوشتاري يا گفتاري و مانند آن

انگلیسی

عنوان اصلي

Post-Soviet Tuvan Throat-Singing (Xöömei) and the Circulation of Nomadic Sensibility

نام عام مواد

[Thesis]

نام نخستين پديدآور

Beahrs, Robert Oliver

نام ساير پديدآوران

Brinner, Benjamin

تاریخ نشرو بخش و غیره

2014

کسي که مدرک را اعطا کرده

Brinner, Benjamin

امتياز متن

2014

متن يادداشت

Guttural singing practices in the Sayan-Altai region of south-central Siberia have been historically framed as possessing "nomadic" qualities linked with pastoral population groups indigenous to the region. As these singing practices were incorporated into a genre of national folk music for Tannu Tuva (1921-1944) and the Tuvan Autonomous Soviet Socialist Republic (1961-1991)--and then later reformulated as the centerpiece of an exotic genre of world music-- xöömei throat-singing was shaped by contradictory attitudes towards its purportedly nomadic characteristics, which have been essentialized at various times, for multiple reasons, by local and global actors and interest groups. In the post-Soviet era, xöömeizhi (master throat-singers) from the Tuva Republic (now part of Russia) express a revitalized nomadic sensibility through xöömei singing practices, which has come to operate both as an ideology and a disposition for Tuvan traditional music. Drawing on a selective use of history, cultural memory, and natural environments, post-Soviet xöömeizhi construct a nomadic sensibility that is embodied in music and sound-making activities, foregrounded in intercultural exchanges, and circulated as a social disposition.

مستند نام اشخاص تاييد نشده

Mata, Willow Maria Sussex

مستند نام اشخاص تاييد نشده

Beahrs, Robert Oliver

مستند نام تنالگان تاييد نشده

UC Berkeley

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y