عنوان

Sacrificial form :

شماره

TLets809129

عنوان اصلي

Sacrificial form :

نام عام مواد

[Thesis]

نام نخستين پديدآور

Mai, Chih-Yuan

عنوان اصلي به قلم نويسنده ديگر

the libretti in English 1940-2000

نام ناشر، پخش کننده و غيره

University of Glasgow

تاریخ نشرو بخش و غیره

2008

جزئيات پايان نامه و نوع درجه آن

Thesis (Ph.D.)

امتياز متن

2008

متن يادداشت

This thesis focuses on the genre of libretto, the sung words for music theatre. The "little book" which accompanies every operatic performance is not just an extended program note to the spectacle, but in fact a substantial literary form in its own right. However, despite the immense influence of Wagner, the output from librettists in an operatic collaboration, has been serious ignored; indeed in opera the aesthetic function of language is frequently diminished and foreshortened, because it is often re-directed by and within the music. The result is that librettists are often seen as offering words to be "decomposed" by composers in the process of operatic collaboration. Opera, in the English language, finally achieved its rightful status, alongside its European counterparts, during the second half of the twentieth century. The thesis is intended to encompass something of the vast diversity of this genre and discusses a number of individual works as constituting legitimate literary artefacts in their own right. There will be five chapters featured in the thesis and each chapter is devoting to a specific theme.

موضوع مستند نشده

PS American literature; ML Literature of music; BL Religion; PR English literature

مستند نام اشخاص تاييد نشده

University of Glasgow

مستند نام تنالگان تاييد نشده

University of Glasgow

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y