عنوان

Performance, transparency, and the cultures of surveillance /

شابک

0472123637

شابک

9780472123636

شابک اشتباه

0472037099

شابک اشتباه

0472130749

شابک اشتباه

9780472037094

شابک اشتباه

9780472130740

عنوان اصلي

Performance, transparency, and the cultures of surveillance /

نام عام مواد

[Book]

نام نخستين پديدآور

James M. Harding.

محل نشرو پخش و غیره

Ann Arbor :

نام ناشر، پخش کننده و غيره

University of Michigan Press,

تاریخ نشرو بخش و غیره

[2018]

نام خاص و کميت اثر

1 online resource (ix, 311 pages)

متن يادداشت

Includes bibliographical references and index.

متن يادداشت

Intro; Contents; Introduction. All Eyes to the Street: Surveillance, Information Technologies, and the Space of Brecht's "Street Scene"; God's Eyes: Chapter 1. Of Sheep, Shepherds, and Oversight: Defrocking the Cultures of Surveillance; Private Eyes: Chapter 2. Surveillance Operatives: Activists, Undercover Agents, and the "New Theater"; Blind Eyes: Chapter 3. This Private Island: The Modern Ban-opticon from Camp X-Ray to Private Prisons; Electronic Eyes: Chapter 4. Outperforming Activism: Surveillance Technologies beyond the Surveillance Camera Players

متن يادداشت

Downcast Eyes: Chapter 5. Data Doubles, Pepper's Ghost, and Zombie Categories: The Specters of Performance in the Bit Parts of Surveillance; An Eye for an Eye: Chapter 6. Envisioning Performance Postdemocracy: Creative Activism, (a Little Bit of) Damage, and Surveillance's Inevitable Products; Notes; Index

بدون عنوان

0

بدون عنوان

8

متن يادداشت

Placing the disciplines of performance studies and surveillance studies in a timely critical dialogue, Performance, Transparency, and the Cultures of Surveillance not only theorizes how surveillance performs but also how the technologies and corresponding cultures of surveillance alter the performance of everyday life. This exploration draws upon a rich array of examples from theatre, performance, and the arts, all of which provide vivid illustration of the book's central argument: that the rise of the surveillance society coincides with a profound collapse of democratic oversight and transparency--a collapse that, in turn, demands a radical rethinking of how performance practitioners conceptualize art and its political efficacy. The book thus makes the case that artists and critics must reexamine--indeed, must radically redefine--their notions of performance if they are to mount any meaningful counter to the increasingly invasive surveillance society.

منبع سفارش / آدرس اشتراک

JSTOR

شماره انبار

22573/ctt20004gs

عنوان

Performance, transparency, and the cultures of surveillance.

شماره استاندارد بين المللي کتاب و موسيقي

9780472130740

موضوع مستند نشده

Arts and society-- United States-- History-- 21st century.

موضوع مستند نشده

Democracy and the arts-- United States.

موضوع مستند نشده

Electronic surveillance-- Social aspects-- United States.

موضوع مستند نشده

Technology and the arts.

موضوع مستند نشده

Arts and society.

موضوع مستند نشده

Democracy and the arts.

موضوع مستند نشده

Electronic surveillance-- Social aspects.

موضوع مستند نشده

POLITICAL SCIENCE / Public Policy / Cultural Policy.

موضوع مستند نشده

SOCIAL SCIENCE / Anthropology / Cultural.

موضوع مستند نشده

SOCIAL SCIENCE / Popular Culture.

موضوع مستند نشده

Technology and the arts.

موضوع مستند نشده

United States.

بدون عنوان

7

موضوع مستند نشده

POL-- 038000

موضوع مستند نشده

SOC-- 002010

موضوع مستند نشده

SOC-- 022000

شماره

ويراست

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Harding, James Martin,1958-

تاريخ عمليات

20200822114143.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y