عنوان

Hybrid modernities :

شابک

0262280256

شابک

0585381356

شابک

9780262280259

شابک

9780585381350

شابک اشتباه

0262133628

عنوان اصلي

Hybrid modernities :

نام عام مواد

[Book]

ساير اطلاعات عنواني

architecture and representation at the 1931 Colonial Exposition, Paris /

نام نخستين پديدآور

Patricia A. Morton.

محل نشرو پخش و غیره

Cambridge, Mass. :

نام ناشر، پخش کننده و غيره

MIT Press,

تاریخ نشرو بخش و غیره

2000.

نام خاص و کميت اثر

1 online resource (ix, 380 pages) :

ساير جزييات

illustrations

متن يادداشت

Includes bibliographical references and index.

متن يادداشت

The 1931 International Colonial Exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The Exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the'Orient'-- the site of rampant sensuality, decadence, and irrationality -- and as the laboratory of Western rationality. In Hybrid Modernities, Patricia Morton shows how the Exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the Exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were'authentic'native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions'exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a'middle region'of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the Colonial Exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.

عنوان

Hybrid modernities.

شماره استاندارد بين المللي کتاب و موسيقي

0262133628

موضوع مستند نشده

Exposition coloniale internationale de Paris, (1931)-- Buildings.

موضوع مستند نشده

Exposition coloniale internationale de Paris.

موضوع مستند نشده

Exhibition buildings-- France-- Paris-- History-- 20th century.

موضوع مستند نشده

ARCHITECTURE-- Buildings-- Public, Commercial & Industrial.

موضوع مستند نشده

Architecture.

موضوع مستند نشده

Art, Architecture & Applied Arts.

موضوع مستند نشده

Buildings.

موضوع مستند نشده

Exhibition buildings.

موضوع مستند نشده

French colonies.

موضوع مستند نشده

Gebouwen.

موضوع مستند نشده

Modernisme (cultuur)

موضوع مستند نشده

Wereldtentoonstellingen.

موضوع مستند نشده

France, Colonies, Exhibitions.

موضوع مستند نشده

France, Paris.

موضوع مستند نشده

Parijs.

بدون عنوان

0

بدون عنوان

7

بدون عنوان

7

موضوع مستند نشده

ARC-- 011000

شماره

ويراست

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Morton, P. A.

تاريخ عمليات

20200822104855.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y