Cover; Tombs of the Ancient Poets: Between Literary Reception and Material Culture; Copyright; Acknowledgements; Contents; List of Illustrations; List of Abbreviations; List of Contributors; Introduction; THE DEATH OF THE AUTHOR; Topoi; I: Material Texts, Textual Materials; 1: Silent Bones and Singing Stones: Materializing the Poetic Corpus in Hellenistic Greece; IMPLEMENTS FROM THE 'TOMB OF THE POET' (PIRAEUS ARCHEOLOGICAL MUSEUM); TOMB AND BOOK; LIFE AND NACHLEBEN; FROM 'DUST' TO DUST; THE LIVING TOMB; 2: Simonides on Tombs, and the 'Tomb of Simonides'
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8: Still Singing: The Case of OrpheusORPHEUS THE CHARACTER; ORPHEUS THE AUTHOR; STILL SINGING; VIRGIL'S NIGHTINGALE; III: Collecting Tombs; 9: Poets' Corners in Greek Epigram Collections; THE CREATION OF POETS' CORNERS; DIOSCURIDES' POETIC NECROPOLIS; POETS' TOMBS IN THE GARLAND OF MELEAGER; POETS' TOMBS IN THE GARLAND OF PHILIP; 10: Impermanent Stones, Permanent Plants: The Tombs of Poets as Material Objects in the Palatine Anthology; IMMATERIAL TOMBS; FOREVER GREEN, FOREVER SINGING; 11: Pausanias' Dead Poets Society; ANCIENT PINS ON A POETS' MAP; HEROES AND BONEHUNTERS; TRAGEDY AT THE TOMB
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BONES AND ANTIQUITIESIV: The Tomb of Virgil; 12: Dead Letters and Buried Meaning: Approaching the Tomb of Virgil; CLOSURE, INDETERMINACY, AND VIRGIL; RECURRENT EPITAPHIC FORMULAE; THE PALINURUS EPISODE; VIRGIL'S AUTO-EPITAPHS; FURTHER REFLECTIONS; 13: The Tomb of Virgil between Text, Memory, and Site; ON THE ROAD TO PUTEOLI: THE TOMB IN VSD; THE TOMB OF VIRGIL IN FLAVIAN LITERATURE; 14: Virgil's Tomb in Scholarly and Popular Culture; A CLUSTER OF SEPULCHRAL MONUMENTS; INVENTING THE TOMB OF VIRGIL; VIRGIL'S TOMB AND NEAPOLITAN URBAN IDENTITY; VIRGIL'S TOMB IN EARLY MODERN TRAVEL CULTURE
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CALLIMACHUS FR.64 THE 'TOMB OF SIMONIDES'EPIGRAMS, TOMBS, BODIES; EPIGRAMS WITHOUT STONES; THE 'MIDAS EPIGRAM'; SIMONIDES AND CLEOBOULUS (581 PMG, 262 POLTERA); CALLIMACHUS AND SIMONIDES; 3: Ennius' imago between Tomb and Text; 4: A Portrait of the Poet as a Young Man: The Tomb of Quintus Sulpicius Maximus on the Via Salaria; THE INSCRIBED TEXT; TRANSLATION (BY BARBARA GRAZIOSI); LITERATURE AND THE TOMB AS MEANS OF SOCIAL ADVANCEMENT; MAXIMUS' POEM; THE EPIGRAMS; THE MATERIAL RECEPTION OF LITERATURE; 5: Ovid's Tombs: Afterlives of a Poetic corpus; DE VETULA: OVID'S MISSING CORPUS
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TOMB RAIDERS: JOHANN HEINRICH SCHÖNFELD'S' SARMATEN AM GRABE OVIDS''LA TOMBA DI OVIDIO'; THE SEARCH CONTINUES; II: The Poet as Character; 6: Earth, Nature, and the Cult of the Tomb: The Posthumous Reception of Aeschylus heros; ARISTOPHANES' FROGS: ATHENS' CULTURAL STERILITY, 'AESCHYLUS', AND HIS ANODOS FROM THE DEPTHS OF THE EARTH; 'AESCHYLUS', NATURE, AND EARTH: THE POET AS 'POWER BELOW'; THE GIGANTIC BODY IN THE SICILIAN EARTH: 'AESCHYLUS' AND SICILY; THE COMPETITION FOR 'AESCHYLUS' BLESSINGS: THEATRE AND EARTH CULTS; 7: Tombs of Poets' Minor Characters
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Drawing together a range of examples, this volume explores the tombs of the ancient poets - real or otherwise - in the ancient cultural imagination, and the ways in which they act as crucial sites for the reception of Greek and Latin poetry, uniquely positioned as they are between literary reception and material culture.