یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
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Includes bibliographical references and index.
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Cover; Music, Text, and Culture in Ancient Greece; Copyright; Preface; Contents; List of Figures; List of Abbreviations; List of Contributors; Introduction: Music, Text, and Culture; Part I: Interpretation; 1: Epicentric Tonality and the Greek Lyric Tradition; EPICENTRIC TONALITY BETWEEN GREECE AND MESOPOTAMIA; HISTORICAL SKETCH; MUSIC, TEXT, AND EPICENTRIC TONALITY; 2: The Musical Setting of Ancient Greek Texts; MUSICAL EFFECTS IN HOMER; THE CHORUS OF EURIPIDES; THE SONG OF SEIKILOS; CONCLUSIONS; 3: Words and the Musician: Pindarâ#x80;#x99;s Dactylo-Epitrites.
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9: Sounds You Cannot Hear: Cicero and the Tradition of Sublime CriticismCICEROâ#x80;#x99;S IDEAL ORATOR; CICERO AND THE Î#x9A;ΡÎ#x99;ÎÞÎ#x99;Î#x9A;Î#x9F;Î#x99;; GAPS; 10: Disreputable Music: A Performance, a Defence, and their Intertextual and Intermedial Resonances (Plutarch Quaest. conv. 704c4â#x80;#x93;705b6); INTERTEXTUAL ALLUSIONS; (a) The Performance; (b) The Defence Speech; INTERMEDIALITY; Bibliography; Index.
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ANCIENT TESTIMONIES: OPENINGS AND PROBLEMSMICRORHYTHMICAL EFFECTS; STANZAIC INTERACTION: PYTHIAN 1; CONCLUSIONS; 4: Music in Euripidesâ#x80;#x99; Medea; ATHENAEUSâ#x80;#x99; TESTIMONY; MUSICAL DISCOURSE IN MEDEA; 5: Mesomedesâ#x80;#x99; Hymn to the Sun: The Precipitation of Logos in the Melos; Part II: Theory, Reception, Contexts; 6: Hearing the Syrinx in Euripidean Tragedy; 7: Lyric Atmospheres: Plato and Mimetic Evanescence; ATMOSPHERES; WORDS, MELODY, RHYTHM; STIMMUNG AND THE RESIDUE OF WORDS; SOUND AND THE NON-MIMETIC ABYSS; AN ECOLOGY OF MELOS; 8: Aristotle on Music for Leisure.
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What difference does music make to performance poetry, and how did the ancients understand this relationship? This volume explores the interaction of music and language in ancient Greek poetry, arguing that music crucially informs the ways in which these texts create meaning and exploring its place in contemporary critical writings.