یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Cover; Politics, Theory, and Film: Critical Encounters with Lars von Trier ; Copyright; Contents; PREFACE: SHOW, DON'T TELL; Notes; Bibliography ; ACKNOWLEDGMENTS ; CONTRIBUTORS ; Introduction: Lars von Trier and the "Clichés of Our Times"; Notes; References and Further Reading; I: Anti-Semite/Jew; Von Trier: Tony Cokes; Insert1 ; Chapter 1: AN INVITATION FROM LARS VON TRIER: Translated by Troels Skadhauge and Lars Tonder ; II: Woman/Nymph; Chapter 2: MUST WE BURN LARS VON TRIER?: Simone de Beauvoir's Body Politics in Antichrist ; The Aberrant: Failed Femininity.
متن يادداشت
Chapter 7: BLIND SPOTS AND DOUBLE VISION: National and Individual Fantasy in Dancer in the Dark Notes; References; Chapter 8: "YOUNG AMERICANS"; Introduction: One Damn Song ... ; Dogville: A Brief Synopsis of the Film; Dogville's Documentation of the Ethical Turn; Surfaces, Authenticities, and Commodities in Dogville; Notes; References; Chapter 9: THREE EMANCIPATIONS; I. The Slavery of Emancipation: Wilhelm's Emancipation; II. Emancipation as Exoneration: Grace's Emancipation; III. The Performance of White Supremacy: Timothy's Emancipation; IV. Emancipatory Acts and Bad Behavior; Notes.
متن يادداشت
IV. Coda: "Hey Joe"Notes; References; III: Fate/Martyr; Chapter 5: SHARING IN WHAT DEATH REVEALS: Breaking the Waves with Bataille ; The Question of Violence in Breaking the Waves; The Goodness Interpretation; The Bataillean Interpretation; Narrating Violence; Notes; References; Chapter 6: BROKEN BY GOD: Fate and Divine Intervention in Breaking the Waves ; Introduction: Bess's Rebellion; Bess and Her God; Belief and Sacrifice; Talking to God, Talking to Oneself; The Benefits of Belief; The Amor Fati of Bess McNeill; The Space for Judgment; Conclusion; Notes; References; IV: Young Americans.
متن يادداشت
The Grotesque: Nature's FeminineThe Excessive: Crushing the Dick; Feeling Our Way beyond Patriarchy; Notes; Bibliography ; Chapter 3: THE SUFFERING SPECTATOR?: Perversion and Complicity in Antichrist and Nymphomaniac ; The Sexual Scene and the Perverse Cinematic Apparatus; Playing (with) the Spectator; Affect and the Complicitous Spectator; Provocative Compositions; Queer Disorganizations; Coda: Escape; Notes; References; Chapter 4: THE NYMPH SHOOTS BACK: Agamben and the Feel of the Agon ; I. Nymphomaniac en Abyme; II. Pygmalion, Galatea, and Agamben's Nymph; III. The Nymph Shoots Back.
بدون عنوان
0
بدون عنوان
8
بدون عنوان
8
بدون عنوان
8
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
The disturbing and intense films of Lars von Trier are often dismissed as misogynist, misanthropic, or anti-humanist. This book, however, invites us to engage with his work to found a new feminist vision and discover what might be distinctively hopeful for the future of our fragile human condition.
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Politics, theory and film.
شماره استاندارد بين المللي کتاب و موسيقي
9780190600181
نام شخص به منزله موضوع
موضوع مستند نشده
Trier, Lars von,1956-Criticism and interpretation.