عنوان

Realist critiques of visual culture from Hardy to Barnes /

شابک

3319773232

شابک

9783319773230

شابک اشتباه

3319773224

شابک اشتباه

9783319773223

عنوان اصلي

Realist critiques of visual culture from Hardy to Barnes /

نام عام مواد

[Book]

نام نخستين پديدآور

Edward Barnaby.

محل نشرو پخش و غیره

Springer International Publishing AG,

نام ناشر، پخش کننده و غيره

Palgrave Macmillan ;

تاریخ نشرو بخش و غیره

[2018]

تاریخ نشرو بخش و غیره

©2018

نام خاص و کميت اثر

1 online resource (vii, 186 pages)

متن يادداشت

Includes bibliographical references and index.

متن يادداشت

Intro; Acknowledgments; Contents; Chapter 1: Introduction: Literary Realism as Meta-Spectacle; References; Chapter 2: "Pugin was wrong, and Wren was right"-Architectural Revival as Spectacle in Thomas Hardy's Jude the Obscure; References; Chapter 3: "The true Italy is to be found by patient observation"-Tourism as Spectacle in E.M. Forster's A Room with a View; References; Chapter 4: "You've stirred in me my unacted part"-Historical Pageantry as Spectacle in Virginia Woolf's Between the Acts; References.

متن يادداشت

Chapter 5: "Pressed against the screen"-Cinema and Photography as Spectacle in Salman Rushdie's Midnight's ChildrenReferences; Chapter 6: "The law of white gloves"- The Museum as Spectacle in Edward Carey's Observatory Mansions; References; Chapter 7: Epilogue: "Those old soixante-huitards"-Debord as Spectacle in Julian Barnes' England, England; References; Index.

بدون عنوان

0

بدون عنوان

8

متن يادداشت

Have industrial-age technologies and visual discourses transformed us into spectators of the real, and can realist fiction make that transformation visible to us? This book brings Situationist Guy Debord's Society of the Spectacle and an array of cultural criticism into dialogue with novels by Hardy, Forster, Woolf, Rushdie, Carey and Barnes to foreground literary realism's critique of visual culture, including Gothic architectural revival, neoclassicism, tourism, historical pageantry, postcolonial cinema and photography, museums, preservationism, urbanism and artisanal neo-folk movements. Barnaby advances the concept of meta-spectacle to distinguish realist fiction that engages ethically with visual discourses from realist-ic fiction that reproduces the visible veneer of reality for aesthetic consumption. He highlights the limitations of artistic critiques of spectacle, considers their resilience toward a culture industry that continuously repackages iconoclasm as iconicity, and reflects upon the process of reorienting the reader to comprehend realist gestures. By heightening the capacity to recognize our own immersion within objectified representations of the real, Realist Critiques of Visual Culture demonstrates how literary realism remains vital within a society that is so deeply invested in visually replicating and archiving lived experience.

عنوان

Realist critiques of visual culture from Hardy to Barnes.

شماره استاندارد بين المللي کتاب و موسيقي

9783319773223

موضوع مستند نشده

Culture in art.

موضوع مستند نشده

Culture in literature.

موضوع مستند نشده

BIOGRAPHY & AUTOBIOGRAPHY-- Literary.

موضوع مستند نشده

Culture in art.

موضوع مستند نشده

Culture in literature.

موضوع مستند نشده

BIO-- 007000

موضوع مستند نشده

DSBH

شماره

ويراست

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Barnaby, Edward

تاريخ عمليات

20200823112003.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y