Chapter 5: Volumetric Dramaturgy: Staging Drama inDepthFacial Close-up inNegative Parallax Space: Thematic Expression andCharacterisation; Stereoscopic Shot/Reverse Shot: Staging 'Obstructions' forDramatic Tension; Fewer Shots andFewer Cuts: AnEconomic Aesthetic forMaximising 3D Theatricality; Staging inVirtual Environments: 'Dramatic Opaqueness' andStereoscopic Hyper-realism; Gravity: 3D Dramaturgy andNarrative Minimalism; Conclusion; References; Chapter 6: Within and Without: Trans-Subjective Narrative Perspectives in Digital 3D Cinema.
متن يادداشت
The Invisible Observer Throughthe '3D Field Screen'The Perspective, theViewer andthe3D Field Screen: Intersubjectivity andIntrasubjectivity; 'Within' and'Without': Trans-Subjective Perspective inStereoscopic Narrative; Conclusion; References; Chapter 7: Between Depth andFlatness: Shaping Stereoscopic Ontologies; The Ontological Symbiosis ofVirtual Depth andArtificial Flatness in3D Visuality; Remediation; Juxtaposition; Morph; Synthesis; Conclusion; References; Chapter 8: Conclusion; References; Index.
بدون عنوان
0
بدون عنوان
8
بدون عنوان
8
بدون عنوان
8
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This book argues that 3D films are becoming more sophisticated in utilising stereoscopic effects for storytelling purposes. Since Avatar (2009), we have seen a 3D revival marked by its integration with new digital technologies. With this book, the author goes beyond exploring 3D?s spectacular graphics and considers how 3D can be used to enhance visual storytelling. The chapters include visual comparisons between 2D and 3D to highlight their respective narrative features; an examination of the narrative tropes and techniques used by contemporary 3D filmmakers; and a discussion of the narrative implications brought by the coexistence of flatness and depth in 3D visuality. In demonstrating 3D cinematic aesthetics and storytelling, Yong Liu analyses popular films such as Hugo (2011), Life of Pi (2012), Gravity (2013), Star Trek Into Darkness (2013, and The Great Gatsby (2013). The book is an investigation into contemporary forms of stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions.
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
Springer Nature
شماره انبار
com.springer.onix.9783319727424
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
3D cinematic aesthetics and storytelling.
شماره استاندارد بين المللي کتاب و موسيقي
9783319727417
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
3-D films-- History and criticism.
موضوع مستند نشده
Cinematography.
موضوع مستند نشده
Motion pictures-- Aesthetics.
موضوع مستند نشده
Storytelling in mass media.
موضوع مستند نشده
3-D films.
موضوع مستند نشده
Cinematography.
موضوع مستند نشده
Motion pictures-- Aesthetics.
موضوع مستند نشده
PERFORMING ARTS-- Reference.
موضوع مستند نشده
Storytelling in mass media.
مقوله موضوعی
موضوع مستند نشده
PER-- 009000
رده بندی ديویی
شماره
791
.
436
ويراست
23
رده بندی کنگره
شماره رده
TR854
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )