عنوان

The Vienna Don Giovanni /

شابک

1846158990

شابک

9781846158995

شابک اشتباه

184383586X

شابک اشتباه

9781843835868

عنوان اصلي

The Vienna Don Giovanni /

نام عام مواد

[Book]

نام نخستين پديدآور

Ian Woodfield.

محل نشرو پخش و غیره

Woodbridge [U.K.] :

نام ناشر، پخش کننده و غيره

Boydell Press,

تاریخ نشرو بخش و غیره

2010.

نام خاص و کميت اثر

1 online resource (xvii, 214 pages) :

ساير جزييات

illustrations, music

متن يادداشت

Includes bibliographical references and index.

متن يادداشت

In the year following its 1787 Prague première, Don Giovanni was performed in Vienna. Everyone, according to the well-known account by Da Ponte, thought something was wrong with it. In response, Mozart made changes, producing a Vienna 'version' of the opera, cutting two of the original arias but inserting three newly-composed pieces. The dilemma faced by musicians and scholars ever since has been whether to preserve the opera in these two 'authentic' forms, or whether to fashion a hybrid text incorporating the best of both. This study presents new evidence about the Vienna form of the opera, based on the examination of late eighteenth-century manuscript copies. The Prague Conservatory score is identified as the primary exemplar for the Viennese dissemination of Don Giovanni , which is shown to incorporate two quite distinct versions, represented by the performing materials in Vienna [O.A.361] and the early Lausch commercial copy in Florence. To account for this phenomenon, seen also in early sources of the Prague Don Giovanni and Cosìfan tutte , a general theory of transmission for the Mozart Da Ponte operas is proposed, which clarifies the relationship between the fluid text produced by re-creation (performing) and the static text generated by replication (copying). Aspects of the compositional history of Don Giovanni are uncovered. Evidence to suggest that Mozart first considered an order in which Donna Elvira's scena precedes the comic duet 'Per queste tue manine' is assessed. The essential truth of Da Ponte's account - that the revision of the opera in Vienna was an interactive process, involving the views of performers, the reactions of audiences and the composer's responses - seems to be fully borne out. The final part of the study investigates the late eighteenth-century transmission of Don Giovanni . The idea that hybrid versions gained currency only in the nineteenth century or in the lighter Singspiel tradition is challenged. IAN WOODFIELD is Professor and Director of Research at the School of Music and Sonic Arts, Queen's University Belfast.

منبع سفارش / آدرس اشتراک

JSTOR

شماره انبار

22573/ctt13xz70h

عنوان

Vienna Don Giovanni.

موضوع مستند نشده

Juan,Drama-- History and criticism.

موضوع مستند نشده

Mozart, Wolfgang Amadeus,1756-1791., Don Giovanni.

موضوع مستند نشده

Juan

موضوع مستند نشده

Mozart, Wolfgang Amadeus, 1756-1791, Don Giovanni

موضوع مستند نشده

Don Giovanni (Mozart, Wolfgang Amadeus)

موضوع مستند نشده

Don Giovanni.

موضوع مستند نشده

Opera-- Austria-- Vienna.

موضوع مستند نشده

Aufführung

موضوع مستند نشده

Drama.

موضوع مستند نشده

MUSIC-- History & Criticism.

موضوع مستند نشده

Opera.

موضوع مستند نشده

Austria, Vienna.

موضوع مستند نشده

Wien

بدون عنوان

7

بدون عنوان

7

موضوع مستند نشده

MUS020000

شماره

ويراست

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Woodfield, Ian.

تاريخ عمليات

20200823061011.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y