عنوان

Hemingway, race, and art :

شابک

1612775411

شابک

9781612775418

شابک اشتباه

1606350927

شابک اشتباه

1612775411

شابک اشتباه

9781606350928

عنوان اصلي

Hemingway, race, and art :

نام عام مواد

[Book]

ساير اطلاعات عنواني

bloodlines and the color line /

نام نخستين پديدآور

Marc K. Dudley.

محل نشرو پخش و غیره

Kent, Ohio :

نام ناشر، پخش کننده و غيره

Kent State University Press,

تاریخ نشرو بخش و غیره

©2011.

نام خاص و کميت اثر

1 online resource (197 pages)

متن يادداشت

OldControl:muse9781612775418.

متن يادداشت

Includes bibliographical references (pages 187-192) and index.

متن يادداشت

Cover -- Title -- Copyright -- Contents -- Introduction: The Specter of Race in Hemingway�s Grave New World -- One -- “Indian Camp� and “The Doctor and the Doctor�s Wife�: Deconstructing the Great (White) Man -- Two -- Beyond the Camp, Behind the Myth: Native American Dissolution and Reconstituted Whiteness in “Ten Indians, � “Fathers and Sons, � and “The Indians Went Away� -- Three -- The Truth�s in the Shadows: Race in “The Light of the World� and “The Battler�

متن يادداشت

Four -- Killin� �Em with Kindness: Hemingway�s Racial Recognition in “The Porter�Five -- “The Snows of Kilimanjaro, � “The Short Happy Life of Francis Macomber, � and Green Hills of Africa: (Re)drawing the Color Line, or Reimagining the Continent in Shades of Black and White -- Six -- The First Shall Be Last, the Last Shall Be First: Erasing and Retracing the Color Line in “The Good Lion, � True at First Light, and Under Kilimanjaro -- Epilogue: Contextualizing Hemingway�s Grand Complication -- Notes -- Works Cited -- Index

بدون عنوان

0

بدون عنوان

8

متن يادداشت

William Faulkner has long been considered the great racial interrogator of the early-twentieth-century South. In Hemingway, Race, and Art, author Marc Kevin Dudley suggests that Ernest Hemingway not only shared Faulkner's racial concerns but extended them beyond the South to encompass the entire nation. Though Hemingway wrote extensively about Native Americans and African Americans, always in the back of his mind was Africa. Dudley sees Hemingway's fascination with, and eventual push toward, the African continent as a grand experiment meant to both placate and comfort the white psyche, and to challenge and unsettle it, too. Twentieth-century white America was plagued by guilt in its dealings with Native Americans; simultaneously, it faced an increasingly dissatisfied African American populace. Marc Kevin Dudley demonstrates how Hemingway's interest in race was closely aligned to a national anxiety over a changing racial topography. Affected by his American pedigree, his masculinity, and his whiteness, Hemingway's treatment of race is characteristically complex, at once both a perpetuation of type and a questioning of white self-identity. Hemingway, Race, and Art expands our understanding of Hemingway and his work and shows how race consciousness pervades the texts of one of America's most important and influential writers.

عنوان

Hemingway, Race, and Art : Bloodlines and the Color Line.

شماره استاندارد بين المللي کتاب و موسيقي

9781606350928

موضوع مستند نشده

Hemingway, Ernest,1899-1961-- Criticism and interpretation.

موضوع مستند نشده

Hemingway, Ernest,1899-1961.

موضوع مستند نشده

Race in literature.

موضوع مستند نشده

LITERARY CRITICISM-- American-- General.

موضوع مستند نشده

Race in literature.

شماره

ويراست

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Dudley, Marc K.,1971-

تاريخ عمليات

20200823045410.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y