عنوان

Living with loss :

شماره

TLets770010

عنوان اصلي

Living with loss :

نام عام مواد

[Thesis]

نام نخستين پديدآور

Horn, Sheridan

نام ساير پديدآوران

Rogers, Henry ; Cheeseman, David ; Newbury, Darren ; Burrows, David ; Whipps, StuartHorn, SheridanRogers, Henry ; Cheeseman, David ; Newbury, Darren ; Burrows, David ; Whipps, Stuart

نام ناشر، پخش کننده و غيره

Birmingham City University

تاریخ نشرو بخش و غیره

2018

جزئيات پايان نامه و نوع درجه آن

Thesis (Ph.D.)

امتياز متن

2018

متن يادداشت

In a secular society, religion no longer dictates the manner in which death and dying is rationalized, nor sets the precedence for observances of grief; how individuals grieve has changed. This thesis formulates two central hypotheses: that a new phenomenon is emerging of the contemporary cenotaph in art, erected either as physical manifestations or digitally on the Internet; that encapsulated within these cenotaphs is a wealth of information concerning the deceased and aspects of artists' unique grieving processes - the symptoms of loss and trauma are actualized in their work. Artists are reconfiguring religious forms of commemoration and producing secular variants. The aims of this research are threefold: to investigate ways in which artists are forging new approaches to the portrayal of grief and mourning; to explore how these have arisen in an increasingly secular society; to explore through my own practice in response to loss, how art might assume new forms and meanings in a contemporary context. The research aims are investigated through interdisciplinary means including practice-led research, a corpus of wide-ranging artists and artworks, a new methodological approach and theoretical discourses in grief and mourning. The core artists studied are Hannah Wilke, Jo Spence, Felix Gonzalez-Torres, Zoe Leonard and Sheridan Horn. Wilke's and Spence's work is reviewed as the documentation of grief and mourning rather than as feminist polemic. Practice-led research consists of three sculptural expositions. Here-and-Now; Then-and-There was produced to explore how loss registers both overtly and covertly in practitioners' work. It revealed artists embodying experience in materialized forms by mimicking the symptoms of loss, grief and trauma. D(e)ad comprised organic matter 'performed' by continuously changing state, actualizing grieving processes. This work was compared to the cenotaphs by Gonzalez-Torres and Leonard and the historical vanitas, itself currently re-emerging as contemporary cenotaph. Grief Shadow represented the dynamic process of grief and mourning in a static work rather than through changes of state. Counterpoint references include the digital cenotaphs of Briony Campbell's The Dad Project (2009) and the new social phenomenon of extreme embalming. In a society without customary guidelines for grief and mourning, cenotaphs in art are crucial in offering alternative forms of discursive and commemorative practice.

مستند نام اشخاص تاييد نشده

Birmingham City University

مستند نام اشخاص تاييد نشده

Rogers, Henry ; Cheeseman, David ; Newbury, Darren ; Burrows, David ; Whipps, Stuart

مستند نام تنالگان تاييد نشده

Birmingham City University

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y