Cross-culture choralmusic education: Issues for western choral conductors related to the performance of Arabic choral music
نام عام مواد
[Thesis]
نام نخستين پديدآور
Cari L. Earnhart
نام ساير پديدآوران
McCoy, Jerry
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
University of North Texas
تاریخ نشرو بخش و غیره
2015
مشخصات ظاهری
نام خاص و کميت اثر
61
یادداشتهای مربوط به نشر، بخش و غیره
متن يادداشت
Place of publication: United States, Ann Arbor; ISBN=978-1-339-53428-2
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
D.M.A.
نظم درجات
Music
کسي که مدرک را اعطا کرده
University of North Texas
امتياز متن
2015
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
The concept of choral music as defined by the Western world was foreign to Arab cultures until the colonization of the Arab world began in the seventeenth century when we began to see the Western choral style emerging in the churches of the Arab world. Group singing of traditional music was done in unison or heterophonic textures. Notated part-singing is a product of colonization, Westernization, Christianization, and now globalization. In recent years, singing music in mixed or multiple voicings not of a heterophonic nature has spread beyond the churches to the secular Arab world. As choral singing has increased in the Arab world, a new genre of Arabic choral music has emerged.