یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 246-253) and index
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"Mitchell Stephens asserts that the moving image is likely to make our thoughts not more feeble but more robust. Stephens demonstrates that the charges that have been leveled against television have been faced by most new media, including writing and print. Centuries elapsed before most of these new forms of communication would be used to produce works of art and intellect of sufficient stature to overcome this inevitable mistrust and nostalgia. Using examples taken from the history of photography and film, as well as MTV, experimental films, and Pepsi commercials, the author considers the kinds of work that might unleash, in time, the full power of moving images. And he argues that these works - an emerging computer-edited and -distributed "new video"--Have the potential to inspire transformations in thought on a level with those inspired by the products of writing and print. Stephens sees in video's complexities, simultaneities, and juxtapositions, new ways of understanding and perhaps even surmounting the tumult and confusions of contemporary life."--Jacket
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Motion pictures-- Philosophy
موضوع مستند نشده
Television broadcasting-- Social aspects
موضوع مستند نشده
Television-- Philosophy
موضوع مستند نشده
Visual communication
موضوع مستند نشده
Communication visuelle
موضوع مستند نشده
Philosophie au cinéma
موضوع مستند نشده
Télévision - Aspect social
موضوع مستند نشده
Télévision - Philosophie
رده بندی ديویی
شماره
302
.
23/45
ويراست
21
رده بندی کنگره
شماره رده
PN1992
.
6
نشانه اثر
.
S73
1998
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )